Jack Vance has passed away.
One of these days I have to read more of his oeuvre.
Part-time prevaricator
Writing about writing.
Jack Vance has passed away.
One of these days I have to read more of his oeuvre.
When I saw they were tearing Sassy’s down, my first thought was Oh, no.
…I have a scene set in there in my novel-in-progress.
(It’s one of the places where the underground dwellers can come up above ground.)
Sassy’s, for the uninitiated, is was a downtown-Brandon dive bar. For a long time it was a strip club, and by all accounts not a classy one. It’s the only place I’ve ever actually gone to see the strippers—during my low-key bachelor party, when we set the drink special at a pizza joint, then drank multicoloured drinks at the bowling alley—but that’s a story for another day.
Sassy’s also played host to the local instance of the smalls’ “Goodbye Forever” tour, to which I scored free tickets by putting up posters around the university. The stripper pole was gone, but the ceiling mirrors hadn’t been torn down. The smalls played on a stage that I presume had been thoroughly cleaned.
Ego-surfing, I found this:
I think it’s gorgeous and amazing, and I feel quite honoured by it.
If it weren’t for Creative Commons licensing, something like this might not exist.
My co-worker Craig, an amateur film-maker, is trying to convince me to pitch a short film at the RBC Emerging Filmmakers Competition at the Gimli Film Festival this summer. We’re letting you decide which of my (very) short stories would be best to try and pitch. The stories are below the poll. Give ’em a read; they’re really short (as in less than 1024 characters short).
[poll id=“2”]
It started with a local hot-dog eating contest. Lou Verbain took first place, and moved on to the provincials, where he placed second. But the first-place contestant bowed out when his stomach ruptured, and Lou was on to the nationals. At internationals he placed a distant third to a whip-thin Japanese girl.
Lou wasn’t about to take that lying down, so he went into hard-core training. He ate all the hot dogs in town, then in the province, and eventually he caused a continent-wide shortage in meat-ish products.
He moved on. Hamburgers, pies, cookies, anything he could stuff down his gullet. He grew and grew, too, expanding like a weed, like a balloon. It was surreal.
The day he started eating cars was probably the point of no return. He started small, with a rusted-out Datsun, but by week’s end he was devouring Hummers and limos.
At some point hydrogen fusion started up in his stomach, but he didn’t notice.
Long story short, now he’s a black hole, Verbain X‑1, and the Universe is slowly falling into him.
“You want to see a trick?”
Her eyes narrowed. “What kind?”
“Like nothing you’ve ever seen,” he said, and took a swig straight from the bottle. Red wine stained his teeth. “Promise.”
“All right.” She leaned back in the chair as he stood up, crossed to the centre of the room, and did some kind of odd shoulder-shrugging warmup dance. He’d left the bottle on the table, and she took it, wrapped her lips around it, and chugged what remained of the wine. She had a buzz going and wasn’t about to lose it.
Without prelude, without screaming, without any warning whatsoever, he burst into flames. In perfect silence he burned, staring into her soul with those intense grey eyes he had.
She dropped the bottle. It shattered, green shards everywhere. She wanted to scream but couldn’t. She stared as he was consumed.
There was a pile of ash and a black spot on the hardwood, and no other evidence he’d ever existed.
The door opened and he walked in. She leapt from the recliner, embraced him, and said, “How’d you do it?”
A while ago, I discovered Studio 30 Plus, a social network meant for writers over the age of 30. I can’t remember how I stumbled across the site — someone’s tweet or else a Facebook post — but I signed up, because hey, why not. Like-minded folk in similar situations, &c.
Recently I was asked to contribute a featured post to the site’s blog. My post was slated for Tuesday, October 23rd. I was told that I was selected for Tuesday due to my (meagre) publication history, because Tuesday’s posts are dedicated to publishing and the like.
So I wrote this, hoping it was at least close to what they were looking for.
From my zombies-in-Canada work in progress:
…The preferred term for those that have undergone the transformation in question is “revenant”. The word revenant should not be capitalized.
Unless you are directly quoting a source, do not use the pejorative terms “zombie” or “undead”. Both these terms carry a substantial semantic payload. If they are used, make it clear that they are terms used by the quoted source, and not terms normally in use by your outlet. In extremely revenant-friendly regions (Moose Jaw and environs, for instance), you may wish to consider using asterisks to mask the term: “z****e” or “und**d”, for example.
—Canadian Press Stylebook, 23rd Edition (2017)
The last thing I wrote today:
The road split, right at the edge of the playground, forked into three gravel roads, each leading deeper into a wooded cabin area. A sign at the fork had arrows that named each subdivision: LABRADOR, GREEN GABLES, and BLUE ROCKS. “Down here,” said Arnie, leading them down the GREEN GABLES road.
And what rough beast, its hour come round at last,
Slouches towards Moose Jaw to be born?
…for possible inclusion in my nascent zombies-in-Canada short story.
I saw a tweet from Innsmouth Press — purveyors, IIRC, of latter-day Cthulhu stories and the like — that spoke of a new anthology of Canadian zombie fiction, to be titled Dead North. I thought Hmmm, that could be an interesting challenge.
So I’m currently ruminating on a short story about local zombies. So far I’m thinking about zombies in government, running the show, and a small enclave of people struggling to cure what they perceive as the zombie curse. Once I’ve got a draft, I’ll be looking for people to read it and offer critique. Let me know in the comments if you’d be interested in helping out.
Some of my short fiction — all the stuff I posted on Ficlets (RIP), for instance — is licensed with a rather permissive Creative Commons Attribution-ShareAlike license. This means that when it turns up on a site like Compumatrix, I can’t request that it be taken down.

Not that this bothers me, really. My words are being read, and sometimes in places I’d never expect. Maybe it torques me a little that someone’s “monetized” my works, but I have the feeling that the money involved is pretty small. (I don’t know; maybe “Wilma(logima)” is rolling in long green thanks to me. I doubt I’ll ever know for sure. I also doubt I’ll lose sleep over it.)
Most of the ficlets that I wrote were dashed off in fifteen minutes; sometimes the hardest part was trimming them down to fit the site’s 1024-character maximum. I’m glad people still find them so fascinating.
I’m sure it’s popped up other places, some of which I’ll eventually stumble upon. Like I said, the Ficlets are licensed permissively, and I have no intentions of trying to get any of them taken down. (I’ll do what I can to make sure they’re properly attributed, of course.) I’m just glad people are enjoying my fiction.
Speaking of which: There’s more fiction over here, if you’re interested. (The bulk of which, please note, is not CC-licensed.)