photography

In the morn­ing I wrote my 1,000 words after break­fast, then read a few more chap­ters in Catch-22. Man, that book is con­vo­lut­ed; I think it’s a good re-read, espe­cial­ly con­sid­er­ing that my cur­rent project is some­what non-lin­ear too.^[1]It crossed my mind, as I was in the kayak, that Peace and Jacob’s Lad­der will also have inter­est­ing things to say to me, as I write this tale. But I think I’ll wait till the first draft is done.

After lunch I went to the cof­fee shop to post yes­ter­day’s mis­sive, then—since the weath­er was, if any­thing, more love­ly than yesterday—I took the kayak out onto the lake again. As I was return­ing, I checked my dis­tance, and found I’d gone 4.31 km. I decid­ed that anoth­er quick pass by the pub­lic beach/floating play struc­ture and back should eas­i­ly add anoth­er 0.69 km, and I was right—my final dis­tance as I beached my craft was just over 5 km. I can live with that.

I read a bit more, had supper—the last of the burg­ers I bar­be­cued, which leaves only 6.02×10²³ smok­ies, cool cool cool. And now I’m about to start writ­ing, with a glass of iced cof­fee^[2]Made from the dregs of my morn­ing cof­fee, poured into a glass and stored in the fridge, where it devel­oped a thin skin of ice. beside me.

The sky was cloud­less after dark, so I packed my gear and head­ed north for a few kilo­me­ters. I found a nice dark spot on a side road just before the entry to the riv­er val­ley, and shot some pho­tos of the Milky Way again.

Sample

She walked toward the lake. Her san­dals filled with sand, fine and soft as talc, annoy­ing her. She took the san­dals off and car­ried them, loop­ing their straps over her mid­dle and index fin­gers and crook­ing her hand into a loose fist at her side. The san­dals’ heels thumped her thigh soft­ly with every step, which was a dif­fer­ent kind of annoying.

At the edge of the water the sand dark­ened, not because it was wet, she saw, but because words had snagged in it, lay flat on it: water-coloured sans-serif let­ters over­lap­ping in sense­less pro­fu­sion. A mil­lion thes and as and saids in blue and aqua­ma­rine and smoke grey were scat­tered as far as she could see, and tens of thou­sands of words less common—less invis­i­ble as one of her edi­tors had put it—were lay­ered below and above, fresh­ly deposit­ed or soak­ing into the sand, dark­en­ing, dis­ap­pear­ing: birth, house, joy, spar­row, rose, for­mi­da­ble. Soft wavelets made of bluish words capped with small white word­caps dropped new words as she watched, the white foam of win­dow whirl bribe fad­ing, dark­en­ing, becom­ing part of the great smear of words.

She set her san­dals down where the sand was still heart­break­ing­ly bright, where the waves had­n’t come in and crest­ed and crashed only to recede. Where the paper was still unblem­ished, the page still holy and blank. She walked into the water; no, the lake of words.

Water isn’t wet, she remem­bered some­one telling her, after some­one else had made the “water wet, fire hot, sky blue” joke at some TV report about a new dis­cov­ery that was painful­ly obvi­ous if you just applied com­mon sense. Water makes oth­er things wet, but wet­ness, he told her, jab­bing a fin­ger to make his point stick (and it must have worked, because here she was think­ing about it) is not an intrin­sic prop­er­ty of the water itself.

The words touched her and did not feel wet, did not wet her ankles or (as she pro­gressed) her calves. They clung to her as water would, mold­ing them­selves against her shapes. She felt tran­som and for­get and peace against the backs of her knees, in amid the whirling yeses and saids and thes. She walked fur­ther, deep­er. Her skirt did­n’t cling against her as it would in water, but the words crowd­ed onto its dark fab­ric too. The tail of her blouse was dec­o­rat­ed with now and togeth­er, dried and he.

She took a breath and ducked under the surface.