Writing Retreat 2026, days 3–5

Concentric star trails

Let’s see here:

Wednesday

Wednes­day was rainy and cool. I did some edit­ing on the paper print­out of There’s Noth­ing Good at the Top, and fin­ished read­ing Julian Com­stock by Robert Charles Wil­son and start­ed Fear­less Jones by Wal­ter Mosley. I also dis­cov­ered that Far­go is avail­able to me on the TV, and so I watched the first few episodes of sea­son 1.

Thursday

Thurs­day was a bet­ter day; the sun came out and the tem­per­a­ture cracked the mid-teens. I wore shorts when I walked over to Poor Michael’s book empo­ri­um, where I had a mocha and picked up some books for a friend (I have enough books of my own, thanks). Back at the house I entered my edits from the paper man­u­script into my doc­u­ment, and made a few more updates. I still need to add a few scenes and update a few dream sequences, I think; make a few things more explic­it. The first draft is you telling your­self the sto­ry[1]As Sir Ter­ry Pratch­ett put it., but by the time it’s a sec­ond draft (which is what I’m work­ing on) it should be ready for oth­ers to read it too.

The sky was still clear after the sun went down, and it’s quite dark ’round these parts, so I set up my cam­eras in the yard, one fac­ing north and one point­ing pret­ty much straight up. The north-fac­ing one got about 2½ hours worth of 5‑second expo­sures for star trails (above); the oth­er one snapped a bunch of 30-sec­ond expo­sures of the Milky Way. I made time-lapse videos from both sets of photos.

The Milky Way (and the International Space Station)
The Milky Way

Friday

That actu­al­ly bled into Fri­day; all the pho­tos were tak­en before I went to bed at about 1am, but all the pro­cess­ing hap­pened today. I’ve also read some more, and I plowed through all of sea­son 1 of Far­go too, which told a taut story.

And now I’m going to have some sup­per, and then work some more on my edit­ing. Tomor­row I have to be up ear­ly, so it’s prob­a­bly for the best that it’s cloudy and rainy—I’ll be less tempt­ed to try and get more night­time photos.

Series: Writing Retreat 2026

The entire series: Writ­ing Retreat 2026, day 2; Writ­ing Retreat 2026, days 3–5.

Foot­notes

Foot­notes
↑1 As Sir Ter­ry Pratch­ett put it.

Writing Retreat 2026, day 2

Panoramic view of the Milky Way at Spruces

Yes­ter­day I chopped words from a 3350-word sto­ry till it was under 2500 words. I read it over today, and it’s still got the heart of the sto­ry in it. I’ll give it anoth­er look in a few days and see if I’ve missed anything.

Today I read about a dozen chap­ters in Julian Com­stock by Robert Charles Wil­son. I’m into the final sec­tion and I’m still not sure how this is going to end.

I also con­tin­ued edit­ing the paper man­u­script of There’s Noth­ing Good at the Top. There are a num­ber of things I need to add in there, and the list is grow­ing. (It’s fine; as they say, writ­ing’s re-writing.)

After sup­per I head­ed to Wasagam­ing to snap a short time­lapse of the sunset.

I also got a panora­ma of the sun­set sky.

panoramic view of the sunset at Wasagaming

After that, I con­tin­ued on to Spruces, where the clouds stayed away from the shots I want­ed of the Milky Way.

The Milky Way at Spruces
5-image stack of the Milky Way

Back at the house, I set up for some quick star trails (and got a bonus shot of the Big Dipper).

Star trails from the front porch of the house
The Big Dipper from the front porch

And now it’s just past mid­night, and I’m going to go to bed. (That’s one thing about doing this retreat in mid-Sep­tem­ber rather than July or August; I don’t have to stay up till 1 am to get prop­er­ly dark skies.)

Update: It appears that, if I’d stayed up anoth­er hour or two, I might have caught some hori­zon-hug­ging auro­ra last night. Ah well, so it goes.

Series: Writing Retreat 2026

The entire series: Writ­ing Retreat 2026, day 2; Writ­ing Retreat 2026, days 3–5.

The Galaxy, August 21, 2025

The Milky Way above a prairie horizon

Last night I found myself on Road 81W about half a mile south of High­way 16. I had my cam­era and my tri­pod, so I thought, Well, why not? Why not take some shots of the Milky Way?

The head­er image, above, is a sin­gle shot of the galaxy above the prairie horizon.

This is a panoram­ic pho­to, nine pho­tos, rough­ly 3×3, to cap­ture more of the height of the galaxy than I could with any sin­gle image.

Panoramic photo of the Milky Way

And this is an 11-image stack of a por­tion of the galaxy, which hope­ful­ly brings out some of the detail bet­ter than any sin­gle shot could.

A portion of the Milky Way (stack of 11 images)

Info for Nerds

All images were 30 sec­ond expo­sures at 11mm, f/2.8, ISO 3200.

I merged[1]Use the “Light­en Only” mode, Pat, for future ref­er­ence. 10 dark frames into a sin­gle “dark mas­ter”[2]Sounds Sith, but it ain’t. to elim­i­nate or at least lim­it hot pix­els in the images. The Image Mag­ick com­mand composite {image}.jpg -compose minus_dst {dark-frame}.jpg {image}_cleaned.jpg is how I did the dark frame subtraction.

The align­ing and stack­ing was done with tools from Hug­in Panora­ma Tools[3]Hug­in is part of Panora­ma Tools, appar­ent­ly. and Image Mag­ick—align_image_stack *.jpg -a aligned_ to align the images, then mogrify -format jpg *.tif to con­vert the TIFF files to JPEG, most­ly so my com­put­er isn’t bog­ging down try­ing to process huge image files.

The panora­ma was cre­at­ed with Hug­in—my luck with align­ing night-time panora­mas with Hug­inn is hit-or-miss, but I find it gen­er­al­ly can find enough con­trol points in a group of Milky Way shots to do its magic.

…I should just make a page about all that, should­n’t I. A ref­er­ence for my own use, if no one else’s.

Series: Writing Retreat 2025

The entire series: Writ­ing Retreat 2025; Stayed up late again; The Galaxy, August 21, 2025.

Foot­notes

Foot­notes
↑1 Use the “Light­en Only” mode, Pat, for future reference.
↑2 Sounds Sith, but it ain’t.
↑3 Hug­in is part of Panora­ma Tools, apparently.

Stayed up late again

Star trails at Spruces - about 90 minutes

I think it was worth it, even if a thun­der­storm woke me up ear­ly this morning.

I shot at Spruces for about an hour and a half, and met a cou­ple who had stopped in on their way from Bran­don to Dauphin. (Hi, Doms & Debs, if you’re read­ing this!)

Here are a cou­ple time­laps­es, one of the Milky Way float­ing above Clear Lake and anoth­er of the stars wheel­ing across the sky.

Series: Writing Retreat 2025

The entire series: Writ­ing Retreat 2025; Stayed up late again; The Galaxy, August 21, 2025.

The Milky Way at an abandoned church

The Milky Way behind an abandoned church

Last night the sky was clear and my bat­ter­ies were charged. I loaded up my gear and head­ed to a spot I found last fall: an aban­doned church south of me.

For almost the entire time I was there—about 10:45pm till 2am—it was just me and the fire­flies and the crick­ets. A truck drove by at one point (very slow­ly, because I’d seen them com­ing and turned on my car’s lights), but oth­er than that I was alone under the stars.

The Milky Way behind an abandoned church

Look at all those fireflies.

I did up a mul­ti-pho­to panora­ma, too, before I left.

Panoramic image of the Milky Way behind an abandoned church

Below is a time­lapse of the night. It’s made of 169 still images, each one a 30-sec­ond expo­sure at 11mm, f/2.8, ISO800.

It was almost 3am by the time I got to bed. It’s been a while since I stayed up that late. I think it was worth it, though.

Update

I just spent 90 min­utes or so stack­ing 16 images from my 2nd cam­era into this image of a por­tion of the galaxy.

A stack of 16 images of the Milky Way

Writing Retreat 2024: 7

The Milky Way

Last night I was set­tled in, ready to just watch a bit of TV and then go to bed, when my dar­ling wife texted me:

If the skies are as clear there as they are here, you need to go outside.

So I stepped out onto the patio and yes, yes it was pret­ty clear here. I gath­ered up my cam­eras and tripods and hit the road.

I set up on a grav­el road not too far from town—if I want to, I could prob­a­bly bike there—and snapped a few sets of Milky Way pho­tos. With the 11–16mm lens, I was shoot­ing ten-minute batch­es of 30 sec­ond frames, 11mm, f/2.8, with the ISO chang­ing each ten min­utes: 400, 800, and 1600. I want­ed to see what I could get from the dif­fer­ent ISO settings.

Unfor­tu­nate­ly the dew crept onto my lens—or, more pre­cise­ly, the UV fil­ter I have screwed on over the lens. If I was smart, I’d have removed the fil­ter and re-done my shoot­ing; I think now it was the fil­ter hold­ing in a bit of heat that caused my dew prob­lems.[1]Appar­ent­ly the sim­ple hack for dew is to wrap a cou­ple hand warm­ers around the lens; you can hold them in place with tape or a beer cozy. Filed away for lat­er exper­i­men­ta­tion.

I man­aged to get two stacks from the ISO 1600 run, and they look pret­ty good, I think. One is 8 images deep, and the oth­er is 10.

The Milky Way, an image made from a stack of 10 photos
A lit­tle dew on the lens fil­ter makes this a glam­our shot
The Milky Way, an image made from a stack of 8 photos
The image is fair­ly sharp, because I had just cleaned the dew off the lens filter

I also got a stack of 18 images from the ISO 400 run, and… Well, you can judge for your­self, but I think ISO 1600 is the sweet spot between “detail” and “noise” (at least for me). Maybe ISO 800 would work, if I can keep the lens from mist­ing over…

The Milky Way, stack of 19 images at ISO 400. The photo is pretty dark, and there's not a lot of detail.
It’s quite a bit dark­er, even with dou­ble the images in the stack

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.

Foot­notes

Foot­notes
↑1 Appar­ent­ly the sim­ple hack for dew is to wrap a cou­ple hand warm­ers around the lens; you can hold them in place with tape or a beer cozy. Filed away for lat­er experimentation.

Writing Retreat (5a — Milky Way)

Milky Way image -- stacked from 23 images

There was quite the auro­ra show last night, and I’m going through my pho­tos from that, but first I decid­ed to process the 24 shots I took of the Milky Way. Two hours’ pro­cess­ing gets you the above photo.

Milky Way photo -- straight out of the camera, no processing appliedMilky Way image -- stacked from 23 images
it takes a lot of work to look this good

The Process

I took some notes as I processed the images, because I want to do more of this and get bet­ter at it. The image, as eye-catch­ing as it is, is pret­ty noisy, and I’m pret­ty sure there are bet­ter ways to do some of the things I did. But, for the nerd crowd (I know you’re out there, I can hear you breath­ing), here’s how I made this par­tic­u­lar image:

  • snapped 24[1]One frame was wonky, so the final stack is 23 images deep. pho­tos (aka “light frames”), 15 sec­onds, 24mm, f/2.8, ISO 3200
  • snapped 3 dark frames, ie, left the set­tings the same and put the lens cap on
  • did dark frame sub­trac­tion on every frame (opened each light frame and a dark frame in Gnu IMP as lay­ers, dark frame on top, and set the Lay­er Mode to “Sub­tract”)[2]This gets rid of the cam­er­a’s “hot pixels”—the first time I tried stack­ing the images, I got smeary blue and red lines from the hot pix­els.
  • align images with align_image_stack -a aligned_ *.JPG [3]Part of Hug­in.
  • con­vert aligned images to JPG using mogrify -format jpg *.tif[4]part of Image Mag­ick. (most­ly so I don’t over­load my poor laptop)
  • open aligned images as lay­ers in Gnu IMP
  • set each lay­er mode as “Dodge”
  • export­ed the whole she­bang as a JPG
  • re-opened the export­ed JPG
  • Used Gnu IMP’s Fil­ter → Enhance → Noise Reduc­tion and cranked that baby up to 11 [5]16, actu­al­ly.
  • prof­it

Things to try next time:

  • shoot RAW
  • try a low­er ISO value

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.

Foot­notes

Foot­notes
↑1 One frame was wonky, so the final stack is 23 images deep.
↑2 This gets rid of the cam­er­a’s “hot pixels”—the first time I tried stack­ing the images, I got smeary blue and red lines from the hot pixels.
↑3 Part of Hug­in.
↑4 part of Image Mag­ick.
↑5 16, actu­al­ly.

Writing Retreat 2024 (3)

The Milky Way, with a couple large spruce trees in silhouette on the left

It was clear last night, so off I went to Rid­ing Moun­tain to get some Milky Way pho­tos. I shot a cou­ple of panora­mas, one just off the high­way on the golf course / Wish­ing Well turnoff, the oth­er at Spruces (thanks again, Tim!).

As I was leav­ing, thin clouds had start­ed to roll in, and the moon—still half-full—was ris­ing in the east. 

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.