milky way

Thurs­day, I:

• Worked some more on “The Slow Apoc­a­lypse” (minor edits in sev­er­al sec­tions, and a new chap­ter in the “What we will lose the fire” sequence, excerpt­ed below)
• Also worked on the “Praise the Torch” outline—I feel like I’m get­ting close to endgame, but I keep going back and adding things in so they’ll pay off later
• Watched a truck try to maneu­ver a new cab­in into the cab­in area (even­tu­al­ly they did it, though they had to trim a cou­ple ever­greens back)
• Drove back out to Spruces for some more Milky Way pho­tos (it was calmer, and I got to lis­ten to the waves on the shore and the occa­sion­al loon)

Jane had fall­en asleep. No, that was too gen­tle a term for it. Jane had col­lapsed into uncon­scious­ness, and soft snores, well-earned, came from her bed. Night had fall­en, out­side, and Mímir paced slow­ly back and forth in front of the win­dow, look­ing out onto a view of parked cars under a light dust­ing of snow, six sto­ries below, the lot illu­mi­nat­ed by great lights, bright white fringed in vio­let, on tall, thin met­al poles. The boy slept against his shoul­der, wrapped in a white-and-blue hos­pi­tal sheet of napped cot­ton fleece.

Mímir won­dered what his dreams might be, if they would even make sense to any­one not a newborn.

From “The Slow Apocalypse”

The two images above were tak­en with my 50mm lens, which results in a much tighter shot than the 11–14mm that I usu­al­ly use for night pho­tog­ra­phy. Both the images above are com­pos­ites; the one with the trees is 2 shots merged into one (you can prob­a­bly see the seam), and the oth­er is a stack of 6 images, man­u­al­ly merged, to try to bring out the detail in a seg­ment of the galaxy.

The image at the top is one of about 200, the only one where I caught a Per­seid mete­or in the frame. (I did see quite a few last night, about a dozen or so, includ­ing three very bright ones. I think the one in the pho­to is one of the ear­li­er ones, and I remem­ber think­ing after it had burned up, I hope I got that on cam­era.)