Writing Retreat 2022: Tuesday

Cabin decor: a mirror reflects the ceiling

Read­ing in bed, in the morn­ing, I noticed the mir­ror on the wall had a neat sym­me­try, reflect­ed the boards of the ceil­ing, so I snapped a photo.

After break­fast I wrote up some quick blog posts for Sun­day and Mon­day, which you’ve prob­a­bly already read. Then I stepped out onto the deck, intend­ing to see if the table there was dry enough to set a lap­top on (I do enjoy writ­ing out­side). The air was misty; it was­n’t rain­ing, but every so often it felt like a drop touched my skin. I grabbed my cam­era and head­ed down to the dam over the lake to snap some pho­tos of the fog. 

Then I sat down for my morn­ing writ­ing stint. After that I biked across the dam to the cof­fee shop, where I used the wifi to post the afore­men­tioned posts (and these pho­tos, while I was at it.)

After that, I read a few chap­ters in Catch-22, had some supper—leftovers, because it had start­ed to rain and I did­n’t feel like bar­be­cu­ing in the rain—and wrote for anoth­er hour or so. The rain came and went dur­ing the evening, but the clouds nev­er broke—at least not before mid­night, when I decid­ed it was bedtime.

I wrote about 2,200 words again yes­ter­day. Here’s a very first-draft sam­ple for you.

The hand­writ­ing end­ed. The next page was blank, and the next, and the next. All the way to the end of the book, as far as she could tell, quick­ly fan­ning through the remain­ing pages. June closed it and set it on the desk.

Did it mean any­thing, she won­dered, that the girl—Evelyn, she remem­bered, glanc­ing at the book’s cov­er, the author’s name in that faux-Goth­ic font—that Eve­lyn had cho­sen to rewrite a trick­ster story?

She sat alone for a long time under the mist­ed win­dows, wish­ing she could see out to the world. It looked like a bright sun­shiny day out there.

After a while, she got up and start­ed to pace. Back and forth, forth and back, slow pon­der­ing steps across the breadth of the Gath­er­ing Space. (Was it real­ly still a Gath­er­ing Space, if at most two gath­ered there? But then what was it that Nathan’s Jesus had said, Where two or more of you are gath­ered? Right? Some­thing like that. So she sup­posed it must count.)

(Especially—and her mind recoiled from the thought—if they two were all that remained in the world.)

Series: Writing Retreat 2022

The entire series: Writ­ing Retreat 2022: Goals; Writ­ing Retreat 2022: Mon­day; Writ­ing Retreat 2022: Tues­day; Writ­ing Retreat 2022: Wednes­day; Writ­ing Retreat 2022: Thurs­day; Writ­ing Retreat 2022: Fri­day; Writ­ing Retreat 2022: Wrap-up.

Writing Retreat 2022: Monday

I had me some cof­fee and some break­fast, then got to work. I got a bit over 2,200 words today in two writ­ing stints (morn­ing and after­noon), which put me over the 35,000-word mark. I fin­ished off the last six chap­ters of The Book of the New Sun (which was a lot clear­er to me on a sec­ond read; Michael-Andre Drius­si’s Lex­i­con Urthus was a huge help, too) and the final chap­ter of Fugi­tive Teleme­try, the lat­est of the Mur­der­bot novel­las by Martha Wells.

I ven­tured down to the Dari Isle and had take­out for sup­per. Their din­ing room is closed at the moment, but that’s all right. I enjoyed their chick­en fin­gers and par­fait in the com­fort of the cab­in. Then I start­ed my re-read of Catch-22 and—since the sky was cloud­ed over—fell asleep about midnight.

Sample

This is from one of the rewrit­ten palimpses­ts, titled “Low Key and the Ice”. It’s very first draft, and may change entire­ly in the final form.

The trick­ster and the drag­on met for the last time on an icy plain.

It was not the nat­ur­al home for either of them; the trick­ster came from shin­ing halls walled in gold, or at least he’d tell you if you chanced to ask that that was his home, as his father—one of his fathers, the one he claimed when he felt a need to prove his worth—had built it when the worlds were young. He was too caught up in the idea of his own her­it­ed nobil­i­ty to admit where he real­ly lived, which was, these late days, in exile among the rab­ble, those who died and did­n’t return.

The drag­on’s home was the seabord, where her innate fire com­plet­ed the four ele­ments (water, earth, and air being pro­vid­ed by the ocean, strand, and sky, of course) and brought them into, if not har­mo­ny, at least an uneasy balance.

Series: Writing Retreat 2022

The entire series: Writ­ing Retreat 2022: Goals; Writ­ing Retreat 2022: Mon­day; Writ­ing Retreat 2022: Tues­day; Writ­ing Retreat 2022: Wednes­day; Writ­ing Retreat 2022: Thurs­day; Writ­ing Retreat 2022: Fri­day; Writ­ing Retreat 2022: Wrap-up.

Writing Retreat 2022: Goals

Minnedosa in the fog

This year I’m at a cab­in with no wifi, so my posts will be spo­radic. I’m hop­ing to bor­row the cof­fee shop’s wifi, as I have in the past, but we’ll see. (Update: I’m using the cof­fee shop’s wifi, all right.)

Any­way: I’m at Minnedosa for the week. I arrived at the cab­in Sun­day night, got unpacked, and fell into bed.

Here’s what I’m hop­ing to accom­plish this week:

  • write at least 10,000 words in “Dried Flow­ers”, my cur­rent novella/novel project. Stretch goal: hit 50,000 words (right now it’s sit­ting at 35,000 and a bit).
  • get some astropho­tog­ra­phy done. The fore­cast calls for a cou­ple of clear nights lat­er in the week. I’m hop­ing to get the Milky Way and—if the sun should oblige—some aurora.
  • read some books. I brought The Book of the New Sun, Catch-22, The Secrets of Judo, and Fugi­tive Teleme­try, and I’ve got a few oth­ers saved on my phone if those aren’t enough. (In fair­ness, when I arrived I had 6 chap­ters left in BotNS and one chap­ter in FT, so those are kind of a gimme.)
  • ride my bike
  • go kayak­ing
  • relax

Here’s to a good week!

Series: Writing Retreat 2022

The entire series: Writ­ing Retreat 2022: Goals; Writ­ing Retreat 2022: Mon­day; Writ­ing Retreat 2022: Tues­day; Writ­ing Retreat 2022: Wednes­day; Writ­ing Retreat 2022: Thurs­day; Writ­ing Retreat 2022: Fri­day; Writ­ing Retreat 2022: Wrap-up.

Bubble lights

Dried flowers tied with a ribbon

I wrote about 1,000 more words tonight in Dried Flow­ers, and here’s a snip­pet, a snatch of con­ver­sa­tion about old-style bub­ble lights.

Her: Why did you dig out those damn lights?

Him: They were from her mom’s place. I thought… I thought it might be a nice con­nec­tion for her. A link to, to the past.

Her: They’re fire hazards.

Him: No more than any oth­er string of bulbs on the tree.

Her: They’re fifty years old. More.

Him: And? I’m fifty years old.

I also learned that bub­ble lights are still made today, and a lot of them use a chem­i­cal called meth­yl­ene chlo­ride because it’s got a low boil­ing point (39.6°C, low enough that a light­bulb can make it bub­ble). The down­side is that a) it might be car­cino­genic and b) your body will prob­a­bly con­vert it to car­bon monox­ide if you ingest it. So, uh… don’t eat the bub­ble lights, I guess.

Ten Thousand Dreams

A cloud in the sky

Way back in my Uni­ver­si­ty days[1]As a stu­dent; I’ve nev­er real­ly left the place., one of my friends had a fat paper­back copy of a book titled Ten Thou­sand Dreams Inter­pret­ed. It was a strange book, full of all kinds of psy­chob­a­b­ble, and a list of dreams and their alleged mean­ings. We looked up a lot—a lot—of dreams. One sticks out in my mind to this day, main­ly because of the hyper-weird speci­fici­ty (or the hyper-spe­cif­ic weird­ness) of it:

To see a horse in human flesh, descend­ing on a ham­mock through the air, and as it nears your house is meta­mor­phosed into a man, and he approach­es your door and throws some­thing at you which seems to be rub­ber but turns into great bees, denotes mis­car­riage of hopes and use­less endeav­ors to regain lost valuables. 

—Ten Thou­sand Dreams Inter­pret­ed, by Gus­tavus Hind­man Miller

And no, I did­n’t remem­ber that off the cuff[2]Though I’ve yet to for­get, over the last thir­ty years, the phrase “a horse in human flesh”, and trust me, I’ve tried.. I just copied ‘n’ past­ed it from the ever-help­ful Project Guten­berg’s copy of Ten Thou­sand Dreams Inter­pret­ed.

Turns out it’s in the pub­lic domain. Also turns out I’ll be mak­ing use of it in “Dried Flow­ers”[3]aka “Palimpses­ts”., which has more than a few dream sequences.

Foot­notes

Foot­notes
↑1 As a stu­dent; I’ve nev­er real­ly left the place.
↑2 Though I’ve yet to for­get, over the last thir­ty years, the phrase “a horse in human flesh”, and trust me, I’ve tried.
↑3 aka “Palimpses­ts”.

Top and tail

Dried flowers tied with a ribbon

Here’s the first thing in my cur­rent WiP, “Dried Flowers”:

Ded­i­cat­ed to my dad, JJ, the way I want to remem­ber him.

He intro­duced me to some of my favourite authors, most­ly by for­get­ting to send back the “no I don’t want the Selec­tion of the Month” card to the Sci­ence Fic­tion Book Club[1]This is how I first encoun­tered, among oth­ers, Michael Swan­wick and William Gib­son..

And the final thing in “Dried Flow­ers” (don’t wor­ry, it’s not a spoil­er; just a post-text epi­graph[2]Post­graph?):

I have always imag­ined that Par­adise will be a kind of library.

—Jorge Luis Borges

…and now, back to writin’.

Foot­notes

Foot­notes
↑1 This is how I first encoun­tered, among oth­ers, Michael Swan­wick and William Gibson.
↑2 Post­graph?

A moment of clarity

Dried flowers tied with a ribbon

This after­noon, wash­ing dish­es and lis­ten­ing to music, I had a writ­ing epiphany. The song “Moment of Clar­i­ty” by 13 Engines popped up in the rotation…

…and one part of it, specif­i­cal­ly, strikes a chord on my cur­rent WiP.

A moment of clar­i­ty is all that’s required of me
And all oth­er places and oth­er times, they’re wav­ing good­bye
Good­bye

Yeah, that’s all the con­text you’re gonna get for now. Let me know if you’re inter­est­ed in read­ing this once it’s all done, though.

13 things about “Dried Flowers”

Dried flowers tied with a ribbon

Thurs­day Thir­teen, the late edition.

(Remem­ber Thurs­day Thir­teens? How about Ran­dom Flick­r­blog­ging? No? Sigh.)

Mov­ing on. Here are 13 things that you’ll find once my sto­ry “Dried Flow­ers” is avail­able for reading.

  1. Unre­li­able 3rd-per­son narration
  2. Palimpses­ts [1]I mean, the work­ing title was “Palimpses­ts”
  3. Flo­ri­le­gia
  4. HIC SVNT DRACONES
  5. Library apart­ment
  6. Birth­day cake [2]HAP BIRT NAO
  7. Romans à clé [3]Well, kind of
  8. Whol­ly invent­ed books
  9. An auto­graph seeker
  10. Snow falling upward
  11. Over­heard conversations
  12. Women who take male noms de plume
  13. Acros­tics

ICYW: “Dried Flow­ers” is my cur­rent work in progress. For­mer­ly titled “Palimpses­ts”, the sto­ry is about a library whose books all seem to be eras­ing themselves.

This sto­ry­telling is sup­port­ed by a grant from the Man­i­to­ba Arts Coun­cil.

Foot­notes

Foot­notes
↑1 I mean, the work­ing title was “Palimpses­ts”
↑2 HAP BIRT NAO
↑3 Well, kind of

Good News, Everyone

fountain pen on notepad

Some good—no, great—news on the writ­ing front: I’ve been award­ed a writ­ing grant by the Man­i­to­ba Arts Coun­cil.

The project I’ll be work­ing on is a novel­la, titled “Palimpses­ts”[1]Work­ing title; I’m also con­sid­er­ing “Dried Flow­ers”, about a woman liv­ing in a library where all the books are slow­ly eras­ing them­selves. She has a com­pan­ion who tries their best to rewrite the erased works, with vary­ing lev­els of suc­cess. She’s also haunt­ed by strange dreams.

Eight works are fea­tured in the sto­ry, some based on real-world books[2]Not quite a roman à clef, but per­haps a roman de romans à clef, hein?, oth­ers whol­ly invented.

I’d been work­ing on the project back in the summer—it was one of the pieces I was deal­ing with dur­ing my writ­ing retreat—but when I sub­mit­ted the grant paper­work in mid-Octo­ber, I quite delib­er­ate­ly pushed it to the back of the queue.

Now it’s come back to the front, of course. I got word on Fri­day after­noon about the grant, and as I write this—Saturday evening—I’ve got the 8 palimpses­ts select­ed, with thumb­nail notes about the new text. I’ve had some inspi­ra­tions about the rest of the sto­ry too, the world June (the hero) has left, the world she’s liv­ing in now, and the world she vis­its in her dreams.

I’m excit­ed. This has the poten­tial to be a very good sto­ry. It won’t be easy to write, and I don’t intend to make it easy to read. Good luck to us all.


In oth­er good writin’ news: The good stuff is now avail­able in my province. In my city, in fact.

Writers' Tears Irish Whiskey
At last!

Foot­notes

Foot­notes
↑1 Work­ing title; I’m also con­sid­er­ing “Dried Flowers”
↑2 Not quite a roman à clef, but per­haps a roman de romans à clef, hein?

WiP updates

A torch against a dark background

I spent the last week or so updat­ing the out­line to “Praise the Torch When ´Tis Burned” (work­ing title, but I’m pret­ty attached to it). I got to the end—a final con­fronta­tion between The Drag­on and the ship’s-queen—and real­ized I did­n’t know exact­ly how I want­ed it to end.

Today, wash­ing dish­es, I had an inter­est­ing insight that might solve my prob­lem. In the first draft, the sto­ry was told as a con­fes­sion to an unnamed 3rd par­ty. As I start­ed the 2nd draft, I dis­card­ed that idea; it did­n’t work, mechan­i­cal­ly. But I still liked the idea of the sto­ry-as-con­fes­sion, and now, I think I might have a way to bring it back in.

Also, as the idea unfold­ed in my head (while my hands were warm and soapy), it expand­ed my under­stand­ing of the ship’s-queen and The Dragon.

This could work. (I mean, it could back­fire, too; but it could work.)


The title, for those that a) don’t know and b) would like to, is tak­en from a stan­za in Hávamál, or The Say­ings of Odin:

At evening praise the day, the torch when ´tis burned,
the blade when ´tis tested, the maid when she is married,
the ice when ´tis crossed, the ale when ´tis drunk. 

…rough­ly. (Depend­ing on the translation.)

This is also the source of one of my favourite say­ings: “Praise ice when over it.” It’s a very win­try ver­sion, in my mind, of “don’t count your chick­ens till they hatch”.


Pho­to by Igor Lep­ilin on Unsplash.