Aurora from my upstairs window

Aurora above the city lights

The auro­ra data were good last night, but I’d had a long day so I did­n’t go out in the coun­try­side last night. I did set up a cam­era in the spare room, in case it got bright enough to be seen over the city lights. At worst, I thought, I’d get a few hours’ worth of star trails.

Oh, and the star trails turned out OK, too.

4½ hours worth of star trails

I set up the cam­era around mid­night; the bat­tery final­ly died around 4:35am. The trails above are made from about 2,200 frames, each 5 sec­onds, f/2.8, ISO 800.

Writing Retreat 2024: 7

The Milky Way

Last night I was set­tled in, ready to just watch a bit of TV and then go to bed, when my dar­ling wife texted me:

If the skies are as clear there as they are here, you need to go outside.

So I stepped out onto the patio and yes, yes it was pret­ty clear here. I gath­ered up my cam­eras and tripods and hit the road.

I set up on a grav­el road not too far from town—if I want to, I could prob­a­bly bike there—and snapped a few sets of Milky Way pho­tos. With the 11–16mm lens, I was shoot­ing ten-minute batch­es of 30 sec­ond frames, 11mm, f/2.8, with the ISO chang­ing each ten min­utes: 400, 800, and 1600. I want­ed to see what I could get from the dif­fer­ent ISO settings.

Unfor­tu­nate­ly the dew crept onto my lens—or, more pre­cise­ly, the UV fil­ter I have screwed on over the lens. If I was smart, I’d have removed the fil­ter and re-done my shoot­ing; I think now it was the fil­ter hold­ing in a bit of heat that caused my dew prob­lems.[1]Appar­ent­ly the sim­ple hack for dew is to wrap a cou­ple hand warm­ers around the lens; you can hold them in place with tape or a beer cozy. Filed away for lat­er exper­i­men­ta­tion.

I man­aged to get two stacks from the ISO 1600 run, and they look pret­ty good, I think. One is 8 images deep, and the oth­er is 10.

The Milky Way, an image made from a stack of 10 photos
A lit­tle dew on the lens fil­ter makes this a glam­our shot
The Milky Way, an image made from a stack of 8 photos
The image is fair­ly sharp, because I had just cleaned the dew off the lens filter

I also got a stack of 18 images from the ISO 400 run, and… Well, you can judge for your­self, but I think ISO 1600 is the sweet spot between “detail” and “noise” (at least for me). Maybe ISO 800 would work, if I can keep the lens from mist­ing over…

The Milky Way, stack of 19 images at ISO 400. The photo is pretty dark, and there's not a lot of detail.
It’s quite a bit dark­er, even with dou­ble the images in the stack

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.

Foot­notes

Foot­notes
↑1 Appar­ent­ly the sim­ple hack for dew is to wrap a cou­ple hand warm­ers around the lens; you can hold them in place with tape or a beer cozy. Filed away for lat­er experimentation.

Writing Retreat (5a — Milky Way)

Milky Way image -- stacked from 23 images

There was quite the auro­ra show last night, and I’m going through my pho­tos from that, but first I decid­ed to process the 24 shots I took of the Milky Way. Two hours’ pro­cess­ing gets you the above photo.

Milky Way photo -- straight out of the camera, no processing appliedMilky Way image -- stacked from 23 images
it takes a lot of work to look this good

The Process

I took some notes as I processed the images, because I want to do more of this and get bet­ter at it. The image, as eye-catch­ing as it is, is pret­ty noisy, and I’m pret­ty sure there are bet­ter ways to do some of the things I did. But, for the nerd crowd (I know you’re out there, I can hear you breath­ing), here’s how I made this par­tic­u­lar image:

  • snapped 24[1]One frame was wonky, so the final stack is 23 images deep. pho­tos (aka “light frames”), 15 sec­onds, 24mm, f/2.8, ISO 3200
  • snapped 3 dark frames, ie, left the set­tings the same and put the lens cap on
  • did dark frame sub­trac­tion on every frame (opened each light frame and a dark frame in Gnu IMP as lay­ers, dark frame on top, and set the Lay­er Mode to “Sub­tract”)[2]This gets rid of the cam­er­a’s “hot pixels”—the first time I tried stack­ing the images, I got smeary blue and red lines from the hot pix­els.
  • align images with align_image_stack -a aligned_ *.JPG [3]Part of Hug­in.
  • con­vert aligned images to JPG using mogrify -format jpg *.tif[4]part of Image Mag­ick. (most­ly so I don’t over­load my poor laptop)
  • open aligned images as lay­ers in Gnu IMP
  • set each lay­er mode as “Dodge”
  • export­ed the whole she­bang as a JPG
  • re-opened the export­ed JPG
  • Used Gnu IMP’s Fil­ter → Enhance → Noise Reduc­tion and cranked that baby up to 11 [5]16, actu­al­ly.
  • prof­it

Things to try next time:

  • shoot RAW
  • try a low­er ISO value

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.

Foot­notes

Foot­notes
↑1 One frame was wonky, so the final stack is 23 images deep.
↑2 This gets rid of the cam­er­a’s “hot pixels”—the first time I tried stack­ing the images, I got smeary blue and red lines from the hot pixels.
↑3 Part of Hug­in.
↑4 part of Image Mag­ick.
↑5 16, actu­al­ly.

Writing Retreat 2024 (3)

The Milky Way, with a couple large spruce trees in silhouette on the left

It was clear last night, so off I went to Rid­ing Moun­tain to get some Milky Way pho­tos. I shot a cou­ple of panora­mas, one just off the high­way on the golf course / Wish­ing Well turnoff, the oth­er at Spruces (thanks again, Tim!).

As I was leav­ing, thin clouds had start­ed to roll in, and the moon—still half-full—was ris­ing in the east. 

Series: Writing Retreat 2024

The entire series: Writ­ing Retreat 2024 (1); Writ­ing Retreat 2024 (2); Writ­ing Retreat 2024 (3); Writ­ing Retreat 2024 (4); Writ­ing Retreat (5a — Milky Way); Writ­ing Retreat (5b — Auro­ra Bore­alis); Writ­ing Retreat 2024: 6; Writ­ing Retreat 2024: 7; Writ­ing Retreat 2024: The End.

Aurora, Oct. 20th, 2023

Aurora above pine trees

I was out from about 10:30pm till mid­night, which—judging from some of the oth­er pho­tos I’ve seen—was too ear­ly for the real show. Regard­less, there was a haze at the hori­zon and I set up my cameras.

In the video, one sec­ond is one minute of real-time. The first minute and a half is from a cam­era point­ed straight north; the remain­der is aimed northwest.

Aurora Borealis — Sept. 18, 2023

Aurora borealis

There were some north­ern lights again last night. They were pret­ty intense; not quite as bright as the shows back in March, but noth­ing to sneeze at either.

I took both my cam­eras to my favourite spot and snapped pho­tos for about an hour. (No kid­ding; all the pho­tos below were tak­en between 10:14pm and 11:16pm.) Out of just over 1000 pho­tos, I present my 27 favourites.

All the pho­tos were 5‑second expo­sures, f/2.8, ISO 3200, at either 11mm or 24mm.

Here’s a quick peek behind the cur­tain: com­pare the unedit­ed pho­to to the ver­sion I’ve uploaded.

Aurora borealis (unedited photo)Aurora borealis
Left is straight out of cam­era; right is light­ly edited

Milky Way — Sept. 16, 2023

The Milky Way above the prairie.

Last night the sky was clear, so I went south with my cam­eras. I got some good pho­tos of the Milky Way just off of High­way 2.

There was a haze to the north, too, so I aimed one of the cam­eras that way. It was­n’t a ter­ri­bly great show—not while I was out—but I did sneak a quick shot of the auro­ra and the Pleaides.

A green band of aurora, and the Pleaides star cluster

On my way home, the auro­ra picked up a bit, so I detoured onto a dark side road for a few more min­utes. I think I missed the best part of the show, but I did get to dri­ve into a fog­gy val­ley and back out again, so at least there’s that.

It was a pret­ty decent evening, and I was home not long after midnight.

(Head­er image: 12-image panora­ma of the Milky Way; each image is 11mm, 30 sec­onds, f/2.8, ISO 3200.)