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Review: The Collapsing Empire

Cover Art

Cross-post­ed on Goodreads, sans footnotes.

Every time I read a John Scalzi nov­el, I’m remind­ed what a good writer he is.* This one’s no excep­tion. He han­dles the big pic­ture and the small, per­son­al details with equal deftness.

After I fin­ished the epi­logue, I jumped back to the pro­logue. With the knowl­edge of every­thing else that hap­pens in the book, it was fun to see how this lit­tle piece of the sto­ry — large­ly uncon­nect­ed to the events in the remain­der of the nov­el, fea­tur­ing char­ac­ters we would­n’t see again — still added to the whole.**

When I start­ed read­ing the book, I was­n’t sure if it was a stand-alone nov­el or the launch of a new series. When I got to the end, it was pret­ty plain­ly the open­ing vol­ume in a mul­ti-vol­ume set. (Don’t get me wrong — the nov­el is com­plete in itself, but the end­ing indi­cates there’s more to come.) Under nor­mal cir­cum­stances, I’d have felt a twinge of irri­ta­tion at this, but in this case I was relieved. I want more time with these char­ac­ters, and I want to know just how they’re going to deal with an empire in collapse.

The Col­laps­ing Empire, by John Scalzi

One final note: Peer review is impor­tant. Read the nov­el and you’ll see what I mean.


* In a lot of ways, John Scalz­i’s writ­ing reminds me of Joe Halde­man, who is one of my favourite writers.

** A note on pro­logues: Elmore Leonard famous­ly want­ed writ­ers to avoid them, and gen­er­al­ly speak­ing he’s right (IMHO). But any list of “rules” of writ­ing are real­ly guide­lines, and usu­al­ly reflect what works best for the author writ­ing the list of rules. I’ve read a lot of Elmore Leonard’s detec­tive nov­els, and I can’t recall ever run­ning into a pro­logue there.

I don’t skip pro­logues when I read, but I do notice when they real­ly don’t con­nect at all to the sto­ry. When that hap­pens, I agree, it would have been bet­ter to excise the pro­logue entirely.

The Col­laps­ing Empire’s pro­logue was fun enough — and con­nect­ed enough to the over­all sto­ry — that I read it twice.

Indescribable

A cou­ple years ago, I had an epiphany while read­ing Gene Wolfe’s The Book of the New Sun, when the nar­ra­tor Sev­er­ian point­ed out that

It is always a temp­ta­tion to say that such feel­ings are inde­scrib­able, though they sel­dom are.

Today, though… Today I was fin­ish­ing Wolfe’s superb 1988 nov­el There Are Doors, and I hap­pened upon this on page 294:

"An indescribable sound filled the arena"

Which is it, Mr. Wolfe? Which is it?


I must admit, though, it’s nice that, imme­di­ate­ly after he calls the sound inde­scrib­able, he pro­ceeds to describe it with delight­ful econ­o­my. Wolfe may be fond of unre­li­able nar­ra­tors, but his prose is reli­ably amazing.

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Series: Gene Wolfe

The entire series: The Gold­en Sen­tence; A les­son in a line; Inde­scrib­able; My head­’s swim­ming now; The Island of Dr. Death.

Public Domain Pictures from the Met

A lot of art falls in the pub­lic domain. Now the Met­ro­pol­i­tan Muse­um of Art has made it eas­i­er for you to use some of it. (And by “some” I mean “quite a lot”.)

For exam­ple, a high-res­o­lu­tion pho­to of Van Gogh’s paint­ing Sun­flow­ers is avail­able for me to use free of charge. You too.

And if Munch’s The Scream is more your cup of tea, well, they’ve got you cov­ered there too.

Have a look for your­self. If one of the 400,000+ pieces of art in their cat­a­logue strikes your fan­cy, check for the Pub­lic Domain icon (a lit­tle 0 in a cir­cle) and the down­load link. It appears that the pub­lic-domain con­tent com­pris­es 375,000 images, which, I think you’ll agree, is a lot.

Now if you’ll excuse me, I’m going to look at some J. M. W. Turn­er paintings.

Joseph Mal­lord William Turn­er (British, Lon­don 1775–1851 Lon­don)
The Lake of Zug, 1843
British,
Water­col­or over graphite; 11 3/4 x 18 3/8 in. (29.8 x 46.6 cm)
The Met­ro­pol­i­tan Muse­um of Art, New York, Mar­quand Fund, 1959 (59.120)
http://www.metmuseum.org/Collections/search-the-collections/337499

Thanks, The Met!

Thanks to my friend Kel­ly for point­ing out this Engad­get arti­cle on the topic.

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Let’s Talk

Hey. Just a warn­ing: This isn’t an easy read. It was­n’t easy to write, either.


Today is Jan­u­ary 25th, when Bell, inspired by a spir­it of bound­less com­pas­sion*, will give a pile of mon­ey to men­tal health ini­tia­tives, so long as you tag your dis­cus­sion cor­rect­ly. So… here’s my 5¢ worth, I guess.

As some of you know, my dad recent­ly died. He was in a nurs­ing home for years before he left us, a vic­tim of pret­ty severe demen­tia. So in a way, he died twice: once in the mind, slow­ly falling away over years, and then in body, lat­er, more quickly.

Even before the demen­tia became appar­ent, there were hints of depres­sion. Maybe things could have been dif­fer­ent if he’d spo­ken up, or if we’d asked the right ques­tions. (Let’s talk, Dad.) Hind­sight is, of course, always 20/20, but Dad just was­n’t the type to talk about these things. (Nei­ther am I, real­ly. Not usually.)

I’m like Dad in a lot of ways. I look like him, I sound like him, and many of his man­ner­isms and turns of phrase are deeply ingrained in me too. We both love sci­ence fic­tion. We both lack a spleen, thanks to a genet­ic con­di­tion whose name I nev­er learned.

But I’m also unlike him in a lot of ways. I do my best to go to the gym, which I think he might find a for­eign con­cept. I don’t like canned peas (grey salty sad­ness pel­lets), I enjoy kiwifruit and yogurt, I read the occa­sion­al fan­ta­sy novel.

Sometimes—not very often, but sometimes—I won­der if his fate is my fate. Peo­ple tell me that it’s not, and I do my best to listen.

 

* I imag­ine there are tax ben­e­fits, too.