Blog

Candid portraits

Kathleen.
Kath­leen.

After a love­ly Christ­mas Moroc­can sup­per, we sat around the liv­ing room at Tara’s place.

Jen.
Jen.

I got out my cam­era and snapped some candids.

Caryl & Marc.
Caryl & Marc.

I real­ly like my 50mm lens.

No man is an island

No man is an island entire of itself; every man is a piece of the con­ti­nent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promon­to­ry were, as well as any man­ner of thy friends or of thine own were; any man’s death dimin­ish­es me, because I am involved in mankind. And there­fore nev­er send to know for whom the bell tolls; it tolls for thee. 

–John Donne

Judo: shiai and book

I went into the city this past week­end to ref­er­ee at the Uni­ver­si­ty of Man­i­to­ba’s annu­al shi­ai 1. Con­sid­er­ing I had­n’t ref­er­eed since the begin­ning of April, I feel I did fair­ly well. I got a com­pli­ment on the way out for catch­ing a cou­ple of “false attack” penal­ties — appar­ent­ly they get missed fair­ly fre­quent­ly — so I felt pret­ty good about that.

Next day, on the way out of town, I stopped in at McNal­ly Robin­son, one of my favourite book­stores, and end­ed up find­ing The Way of Judo on the shelf. It’s a biog­ra­phy of Jig­oro Kano, aka Kano-sen­sei, the founder of Judo. I waf­fled for a moment, but only for a moment; then I picked it up. I haven’t start­ed it yet, but I’m look­ing for­ward to it, for sure.


  1. Tour­na­ment or con­test, in Japan­ese. (Judo ter­mi­nol­o­gy is gen­er­al­ly giv­en in Japan­ese.) 

Stars and leaves

I went in to the Win­nipeg Word­Press meet­up last night and talked about what to do when you hit a Codex page that has the dread­ed There is currently no text in this page. (The slides from the pre­sen­ta­tion are at the end of this page.)

On the way home, I stopped in at the halfway tree for some star shots. I can’t decide which one I like best:

The halfway tree

or

The halfway tree


Slides

Bingo!

This past Sat­ur­day I drove a van into Win­nipeg with my wife and five oth­er pas­sen­gers to work a bin­go at one of the casi­nos. We were there to raise some mon­ey for the Evans The­atre’s new pro­jec­tion system.

We arrived, nav­i­gat­ed the hotel and the casi­no to get to the bin­go area. We signed in, found out where the buf­fet was, and were told to return by 6:20 for our shift.

The buf­fet was well-stocked and pret­ty well uni­form­ly deli­cious. I man­aged to lim­it myself to once through the line. Time was a bit of a fac­tor, but let’s be hon­est, I piled my plate pret­ty high, too.

Return­ing to the bin­go area, we were giv­en our instruc­tions. Five of us had cards to sell, and two were on clean-up duty — pick­ing up used bin­go cards and any oth­er junk that might be around (McDon­alds wrap­pers, drink cans, etc). We went to work.

Like (pre­sum­ably) any casi­no, it was a sur­re­al envi­ron­ment. The area we were in was paint­ed and land­scaped to look like some Mesoamer­i­can jun­gle tem­ple — palm trees, giant stone heads, a stepped pyra­mid. The walls and ceil­ing were paint­ed like a blue sky with scat­tered cloud. The room was in per­pet­u­al twilight.

We worked our three-hour shift, sell­ing cards to any­one that asked. When the caller announced a twen­ty-minute inter­mis­sion, a woman with Parkin­son’s fell while try­ing to get up from her chair and hit her head on the cor­ner of the table behind her. Secu­ri­ty and man­age­ment staff swarmed her, mak­ing sure she was all right. She must have been OK, because she was back in her seat after the break.

I can’t say I enjoyed my first vis­it to a casi­no. It struck me as being a very lone­ly place — you’re sur­round­ed on all sides by hordes of oth­er humans, but hard­ly any­one spoke to any­one else.

Also, if I want to be assault­ed non-stop by flash­ing lights and noise, well, that’s what Michael Bay movies are for.

On the plus side, I got to prac­tice my French on the way in, and I saw a shoot­ing star on the dri­ve home. Appar­ent­ly noth­ing like the Ohio one, though.

A Canadian vignette

I have this sin­gle scene for a film in my head, very Cana­di­an: a shot of a south­bound V of geese, mov­ing across a pale blue sky. The cam­era pans down to a soli­tary per­son on the ground, stand­ing in the mid­dle of the street, yelling up at them, “Quit­ters! Get back here!”

Film­mak­ers: If you’d like to use this in your film, please let me know. I’m sure we can work some­thing out.