Ficlets

For those of you that are inter­est­ed in writ­ing: check out Ficlets. It’s a col­lab­o­ra­tive short-short sto­ry envi­ron­ment where you’re encour­aged to write pre­quels or sequels to oth­ers’ sto­ries, or come up with your own. Have a peek. Maybe you’ll even get inspired.

(Found via John Scalz­i’s What­ev­er post.)

13 snippets

Since I should be writ­ing tonight (I got 6,000 words while we were in Edmon­ton, and not a let­ter since), I’m going to dip into my works-in-progress file for tonight’s 13, and present:

13 snip­pets from works in progress

Hope­ful­ly each and every one of these bite-sized morsels from short fic­tion or nov­els-in-ges­ta­tion will make you slaver to read the com­plete, fin­ished work. Let me know, if you so desire, what works for you, and what doesn’t.

  1. Demoi­selle Noir was younger than Riley had expect­ed. Only the pal­lor of her skin spoke of her present con­di­tion; her hair was the col­or of hon­ey, dressed up in ringlets, and her clear eyes were the grey of a storm at sea. Here in her office she wore a dark blouse of some mate­r­i­al that shone like silk and loose flow­ing trousers in a col­or that remind­ed Riley of the foam that crest­ed white­caps. (from Every­thing that Nev­er Hap­pened)
  2. Tom­my, though, his spe­cial­ty was church songs. There were a few that the rest of us would join in on, like “Amaz­ing Grace”, but for most of them Tom­my was on his own. He did­n’t sing them often–he’d get an embar­rassed look when we’d request them, like we were maybe going to make fun of him–but when he did sing one it was unre­al. His voice was a per­fect instru­ment, not some­thing you’d expect from a gan­g­ly kid who spoke with a lisp, and when he’d belt out the cho­rus with the fire­light flick­er­ing across his face, let­ting his voice rise with the smoke, coil­ing upwards past the whis­per­ing trees to the stars them­selves, I’d feel a shiv­er crawl up and down my spine. (from “Three Months and Two Days”)
  3. I under­stand you’re on the way to kill your broth­er,” said the dog. “Sure you’ve got it in you?” (from “The Flood”)
  4. A girl met Yak­oub at the door, naked as birth. A gryphon ram­pant marched across her chest, tat­tooed in gold and red and black, its tuft­ed lion’s tail held high, one paw reach­ing for her left breast. Her hair was blonde, falling in soft waves to her bare shoul­ders. (from Salyx)
  5. Ghost-cap­tain Muir sum­moned me to his office. The room was a palace of the imag­i­na­tion, floored in pale mar­ble, with ludi­crous columns and spires reach­ing for a ceil­ing lost in mist. Rain­clouds had formed over by the west win­dows, and a slow but steady driz­zle watered his for­est of trop­i­cal bon­sai. (from “Out­side, Look­ing In”)
  6. Toi and Chad­ow slept in the roots, twin­ing their sleep­ing bags into the fine white cap­il­lar­ies that branched off from the main sys­tems. Toi lay on his stom­ach, wak­ing to face the tiny dots of light that were uncount­ably dis­tant, unimag­in­ably vast fam­i­lies of stars. Chad­ow pref­ered to lay on her back, fac­ing the dark under­sides of leaves through which, some­times, she would catch a glimpse of fil­tered sun­light. (from The Tree)
  7. In a bowl carved from the burl of a cher­ry tree sat a sphere the col­or of cognac, a stone from Earth her­self. Grz­gy picked it up, care­ful not to let his claws scratch its sur­face, and rolled it around in his palm. Its cool heft had a calm­ing effect on him. (from Earth Fleet)
  8. Final­ly, in a nar­row shop wedged between a bistro and a book­store, she found a tiny Pekingese hand-carved from a piece of Chi­nese jade. The thing was ancient, and the price made me weak in the knees, but Zdama slapped her cred­it card down on the spot­less glass counter and the clerk care­ful­ly wrapped the tiny dog in stra­ta of white tis­sue paper. (from “Between Heav­en and Earth”)
  9. Imry glanced at the cal­en­dar tacked above the eye; Miss Sep­tem­ber, in the best tra­di­tion of men’s mag­a­zines from a pre­vi­ous mil­len­ni­um, had a look about her that was simul­ta­ne­ous­ly hum­ming­bird-shy and hard-core slut­ty. “D’y­ou sup­pose it’s Sep­tem­ber? Out there?” (from “The Long Fall”)
  10. Overnight some­one had plant­ed a gar­den. It had to have been one of the AIs, or one of the robots, and they prob­a­bly had used time shapers, some­thing Lady Schrone was cer­tain she’d marked down as pro­scribed. But it was hard to be angry, because the gar­den was beau­ti­ful: flow­ers, flow­ers of all descrip­tions, radi­at­ing away from a cen­tral point like the spokes of a great wheel, and at the wheel’s cen­ter a tree reached for the heav­ens. Leaves the size of her body unfurled them­selves at the tree’s top, near­ly twen­ty meters from the ground. They were sharp and green against the blue of the sky. (from “The Parley”)
  11. Some­day, he hoped, he’d find a tow­er tall enough to show him the part of the world with­out snow. He was con­vinced it must exist some­where. Sure­ly the whole Earth could­n’t be cov­ered in twen­ty feet of snow. Could it? (from “Fim­bul­vetr”)
  12. For nine days the sky itself had burned, and even now, five years lat­er, John did­n’t like sun­sets. But Miko did, and he was­n’t stub­born enough to argue his way around her insis­tences, so they sat on the black­ened con­crete stoop and watched the sky light up all over again. (from “After the Mis­sile Rain”)
  13. I know a great many things. My web of thought spans galax­ies.” She was a group mind, he knew, a galaxy-wide enti­ty that shared a com­mon name and a com­mon out­look. Her thought was net­worked in an instan­ta­neous com­mu­ni­ca­tion web; some­how, though the physi­cists and xeno­bi­ol­o­gists had yet to explain it, what one Yasht knew, every Yasht knew. (from “Yasht”)

Tech­no­rati: Thurs­day Thirteen

Post a com­ment and I’ll add you to the list!

Update

Well, I got my prob­lem fig­ured out. I had to blow away my brows­er pref­er­ences and start fresh, but it works now. (If I’d had time and incli­na­tion, I prob­a­bly could’ve used a less apoc­a­lyp­tic method, but, well, meh.)

Also: Last night I out­lined about three-quar­ters of the mid­dle act (which is where my long projects usu­al­ly start to sag), and fin­ished up the sec­ond chap­ter, too. More writ­ing, if not tonight, then tomor­row for sure. Plus I got some more of the site for this ser­i­al-sto­ry project spruced up.

Stay tuned, and keep warm!

Writing project

My New Year’s res­o­lu­tion, writ­ing-wise, prob­a­bly won’t show up here until about March, but rest assured I’ll be work­ing on it start­ing tonight. I hope to start a ser­i­al sto­ry, post­ing “chap­ters” about a thou­sand words long, twice a week. The sto­ry (at least so far) will be one that I’ve had fer­ment­ing in my mind for over a year and a half now, called Every­thing that Nev­er Hap­pened, and it fea­tures a zom­bie lawyer, a sea­far­ing cap­tain, a man named Fauntleroy, a jun­gle king­dom, an undead vizier, a trea­sure map, and a threat to every liv­ing soul. Intrigued? I know I am. I’m look­ing for­ward to writ­ing it. Tonight I did 1100 words, and here’s a few of them:

Doc Hutchin came up from below, his face and hands and shirt bloody. There were men and boys down there that had been run­ning the pumps for hours, maybe days. They’d been work­ing the wood­en han­dles, cal­lus­es split­ting and weep­ing, blood serv­ing as oil to lubri­cate the pumps, and no one real­ly knew how long it had been any­more. The sun’s trav­els had seemed errat­ic ever since the can­non had explod­ed, but Riley was pret­ty sure that it was just the cri­sis, punch­ing a hole in his expe­ri­ence of time.

Hutch came over to him, tak­ing slow and care­ful steps. He nev­er seemed to get his sea legs, ever, but he did­n’t often rel­ish going ashore in port either. The men whis­pered the­o­ries about his check­ered past, how he had a con­sta­ble look­ing for him in every port. One of the boys had once found a WANTED poster nailed to a tav­ern door which bore a decent like­ness of the good doc­tor’s face.

Drink?” said Hutch, sit­ting down next to him.

No,” he said. “Got to get up. Soon.”

You’re exhaust­ed,” said the doc­tor. He pulled a flat-sided brown bot­tle out of one of his boots. There was a foomp! sound as he pulled the cork out of the neck with his teeth. “Bit o’ rum ‘ll do you some good, I reckon.”

I don’t–”

Doc­tor’s orders,” said Hutch, hand­ing him the bottle.

He swigged down two swal­lows’ worth, then hand­ed the bot­tle back. As he wiped his mouth with the back of his hand, Hutchin took a healthy pull, then re-corked the bot­tle and slid it back down into his boot.

Help me up,” said Riley. “The men need to see their cap’n.”

Aye,” said Hutch, and rose to his feet. He put a hand on the bul­wark to steady him­self, then extend­ed his oth­er hand to Riley. The doc­tor pulled the cap­tain upright.

Some­thing shrieked from on high, and they both looked up, shad­ing their eyes against the sun. A gull wheeled above them.

Will we make it, d’y­ou think?” said Hutch. His voice was non­cha­lant, as if he did­n’t care one way or t’other about the answer, but Riley had known him a long time. The doc­tor was ter­ri­fied; it was writ­ten all over his face, in the wor­ried lines around his eyes, in the hard set of his jaw, clamp­ing his teeth togeth­er so tight they ground one against the other.

It’ll be close,” said Riley.

Ah,” said the doc­tor, and bent to retrieve his bot­tle again. “No sense let­tin’ it go to waste,” he said, straight­en­ing up. This time, when he pulled the cork out, he spat it overboard.

True,” said Riley, accept­ing the bot­tle when it was offered. The rum burned its way down his throat to his bel­ly, warmth spread­ing out like slow gold­en fire. “To Man­dalay,” he said, rais­ing the bot­tle high, then hand­ing it back to its owner.

To Man­dalay,” said Hutch, hold­ing the bot­tle aloft, then drain­ing it and let­ting it drop to shat­ter on the deck. “Long may she sail.” 

(Man­dalay is the name of the ketch (or, in this par­tic­u­lar world, the cor­ti­co) on whose deck the action takes place.)

More to come, lat­er. Like I said, prob­a­bly start­ing in March, and run­ning till it’s done.

Writin’

Tonight it went well. I’m get­ting numb-bum from sit­ting in the office chair, but I got clear of 1200 words in an hour and a bit. I’m work­ing on the sto­ry of a woman try­ing to bro­ker a peace treaty among the far-flung descen­dants of the human race, on an Earth lit by a red giant sun, two and a half bil­lion years in the future.

There was a moment when I feared I might have to scrap the whole sto­ry, but then I was lis­ten­ing to a song by Corb Lund and this line gave me some inspiration:

half heard voic­es from the ghosts, from the graves
grand­fa­thers tell us at the mouths of the caves

Can’t tell you yet how it’ll all end, but here’s a scene that I did tonight:

The black plain had been called Pan­tha­las­sa, and it had been called the Pacif­ic Ocean, and the Broad Sea, and the Grey Swamps, and any num­ber of oth­er names, names record­ed or lost to his­to­ry’s sweep­ing indif­fer­ence. Now it was a desert of black glass, a shift­ing sur­face lay­er of fine dark sand blow­ing across a deep bedrock lay­er that had been baked for a bil­lion years by a swollen, mur­dered sun.

Overnight some­one had plant­ed a gar­den. It had to have been one of the AIs, or one of the robots, and they prob­a­bly had used time shapers, some­thing Lady Schrone was cer­tain she’d marked down as pro­scribed. But it was hard to be angry, because the gar­den was beau­ti­ful: flow­ers, flow­ers of all descrip­tions, radi­at­ing away from a cen­tral point like the spokes of a great wheel, and at the wheel’s cen­ter, a tree reached for the heav­ens. Leaves the size of her body unfurled them­selves at the tree’s top, near­ly twen­ty meters from the ground. They were sharp and green against the blue of the sky.

The gar­den was a per­fumery, a green oasis in the glit­ter­ing black desert, and Lady Schrone was ill inclined to hunt down and pun­ish the mech­a­nism or mech­a­nisms that had giv­en it birth.

I almost don’t want to quit writ­ing, but it’s get­ting toward bed­time, and I have com­pa­ny, and I’ve dis­cov­ered that the best place to quit is right before I write some­thing that I’ve been wait­ing to write for a while. That way, I’m eager to go the next time I sit down to write, and the scene has time to per­co­late and dis­till and it tends to come out even bet­ter that way.

Usu­al­ly, anyways.

So: writ­ten any­thing good lately?

More writing

More from Salyx:

Some­times Igraine would have to go down the axis to the ship’s engine room, where the walk­ing dead worked, men and women so rid­dled with can­cer that they did­n’t both­er to pre­tend any­more that they’d sur­vive. They had a ghast­ly humor down there, a gal­lows humor, and one of them had set up a spher­i­cal force-field and filled it with water, just to see it glow with blue Cerenkov radi­a­tion. Igraine hat­ed hav­ing to go to the engine room, hat­ed see­ing the thin, crow­like engi­neers, sprout­ing dark tumors and cough­ing out blood and teeth, rain­ing hair. She’d go in, hand them the flow cor­rec­tions she’d cal­cu­lat­ed, and flee, hat­ing her­self for her fear.

Another snippet from “Salyx”

The knight dreamt of home: vast oceans of grass rip­pling in unfelt breezes, the whis­per of leaves, the back­ground hiss of his aug­men­ta­tion cloud’s comm cycles. A cas­tle sus­pend­ed in the air winked reflect­ed sun­light from crys­tal win­dows. Man’s first sun lay low to the hori­zon, a bulging red oval near­ly kiss­ing the edge of the world.

He looked around, and his vision was bright with sec­ondary knowl­edge. The aug-cloud sprayed knowl­edge at him, com­pressed microbursts of data that were lay­ered over his vision: the float­ing cas­tle was named Yama-arashi, which meant “Moun­tain Storm” in a samu­rai lan­guage, and its smooth blue under­side con­cealed float-field gen­er­a­tors and pulsed laser arrays that deter­mined, microsec­ond by microsec­ond, how the winds and humid­i­ty and tem­per­a­ture affect­ed the castle’s height. The leaves hiss­ing on the breeze hung from a stand of aspens plant­ed by King Ultrecht IX of Vafn­rheim in the eighty-eighth year of his reign. It was nine min­utes and twen­ty-two sec­onds till local sun­set, and to the south­east, against the dark sky, the first of the geo­syn­chro­nous fairy cities would already be vis­i­ble, a dim smudge of light stud­ded with brighter star­lets with­in, can­is­ters and wheels in a cloud of escaped gas­es and space­craft exhaust vapor.

A dead woman spoke his name, and the dream col­lapsed, walls of light that passed through each oth­er, tum­bling away to infinity.

Things I did today

Hair­cut today. Then judo. Both went well.

Now I’m going to do some writ­ing. Here’s a sam­ple from my cur­rent project, Salyx:

There was an upright piano, a slab of black lac­quered wood and pol­ished brass, sta­tioned in the cen­ter of a navy-blue disc of rug woven with a fine fil­i­gree of white lines. The piano had the look of a fac­to­ry job, a tem­plat­ed, nano-shit repro­duc­tion, but it was the rug that drew Igraine’s eye. She stood for a long moment, squint­ing at the pat­terns, till with a start she real­ized what was so famil­iar about them: they were con­trol-sys­tem hier­ar­chy maps copied from one of the man­u­als for the Terns, their lines dis­tort­ed by the fact that they were wound around them­selves in a spi­ral that con­verged on the rug’s cen­ter, hid­den beneath the edges of the piano. She smiled and took a sip of the green-apple wine that William had scared up for her.
Kane, speak­ing from just over her left shoul­der, said, “You noticed.”

She laughed. “You sur­prised me,” she said.

Kane stepped from behind her. “My wife wove it,” he said. “She had a big loom, and I had about a dozen of the old books…”

Some­thing in his voice when he spoke of his wife told Igraine that she was dead now, Kane a wid­ow­er, and she low­ered her eyes for a sec­ond. “Musuf would’ve liked it,” she said.

Musuf?”

He was my hus­band,” she said.

Ah,” said Kane, “I think I remem­ber him. Tall man, smiled a lot?”

That’s the one,” said Igraine, her voice absent, her thoughts lost in the whorls of the rug. Musuf had been a con­trol expert. This was his kind of thing.

Some­one sat down at the piano and began to play “Rags to Rich­es”. Igraine fin­ished off her wine and said, “I need a refill, if we’re going to talk about the past.”