Blog

Copyright and Theft

Read Time to Fix Canada’s Copy­right Mis­take on Medium.

It’s a tricky top­ic, and I’m by no means expert in it, though I like to think I’m a decent­ly-well-read enthu­si­ast. I’ve actu­al­ly had my stuff “appro­pri­at­ed” for edu­ca­tion­al pur­pos­es (one day I’ll have to write a longer post about it, but for now here’s the Coles Notes ver­sion, sans the angst and irri­ta­tion I felt at the time).

My day job, which sup­ports my writ­ing habit, is at a uni­ver­si­ty, and so I know the appeal of not pay­ing for things, since bud­gets are tra­di­tion­al­ly tight, even under the most small‑l lib­er­al of governments.

Cana­da does indeed need to address its copy­right issues.

 

Opening line

Open­ing line for a new 850-word flash fic­tion piece:

Alice, star­ing up at the rip­pling green sky, said, “Make a wish.”

 

Springtime Bike Rides

Things I love about rid­ing my bike this time of year:

  • Shorts
  • Lilacs
  • Kids’ chalk art adding a pop of colour to the bike-trail tarmac

Things I could do without:

  • Diesel pick­up trucks giv­ing me 2″ of clearance

 

Definitions

For a scene in my cur­rent work in progress, I want­ed to know what the prop­er term is for the skull­cap worn by bish­ops in the Catholic Church. So I Googled arch­bish­op skull­cap, as you do.

The word is zuc­chet­to. It comes from the Ital­ian for … Pump­kin. (Because, appar­ent­ly, the lit­tle caps—worn to keep the bish­ops’ heads warm—reminded peo­ple of pump­kins cut in half.)

I end­ed up going with “arch­bish­op’s skull­cap” in the manuscript.

Prairie​ Comics Festival

I went today to the Prairie Comics Fes­ti­val. Recon­nect­ed with some writer friends (Chad­wick, Sam, and Jamie), made some new con­nec­tions (hi, Donovan​), and regret­ted not bring­ing along my busi­ness cards (at least three peo­ple asked about Word­Press stuff).

But I picked up a bunch of local art, so at least there’s that.

  • Mini Book of Mon­ster Girls by Autumn Crossman
  • Eggman Colour­ing Book #1 by Gabrielle Ng
  • How to be Human by Kath­leen Bergen
  • Street Style  Samu­rai by Jamie Isfeld
  • Those Who Make Us with short sto­ries by Chad­wick Ginther and Corey Redekop, among others
  • Win­ter­peg by Matthew Dyck
  • Spacepig Hamadeus by Dono­van Yaciuk
  • The Rangeroads  by Court­ney Loberg

I look for­ward to a lot of reading. 

Story Generator

The page bills itself as The Best Sto­ry Idea Gen­er­a­tor You’ll Ever Find, and when it dis­pens­es gems like this:

Have your char­ac­ter attend a themed cos­tume par­ty where they can’t find the per­son that invit­ed them, they know nobody else, and the peo­ple they meet are alter­nate­ly hos­tile and friend­ly. What is the strange theme of the cos­tumes, and does your char­ac­ter stay or run after a dis­as­ter happens?

…it’s hard to call that an exaggeration.

Head­er image cour­tesy Unsplash.

Some very bright aurora

I could see them already while I was still in the city. By the time I got to my nice, dark spot, this is what I could photograph:

Aurora

They stretched from the north­east to the south­west. They were bright enough for a while that I could watch them danc­ing with the naked eye. The last time I remem­ber see­ing them this bright, I was a teenag­er in Ste. Rose, lying on the grass, look­ing up.

Also: a video version:

An hour of my evening well-spent, I’d say.

Review: The Collapsing Empire

Cover Art

Cross-post­ed on Goodreads, sans footnotes.

Every time I read a John Scalzi nov­el, I’m remind­ed what a good writer he is.* This one’s no excep­tion. He han­dles the big pic­ture and the small, per­son­al details with equal deftness.

After I fin­ished the epi­logue, I jumped back to the pro­logue. With the knowl­edge of every­thing else that hap­pens in the book, it was fun to see how this lit­tle piece of the sto­ry — large­ly uncon­nect­ed to the events in the remain­der of the nov­el, fea­tur­ing char­ac­ters we would­n’t see again — still added to the whole.**

When I start­ed read­ing the book, I was­n’t sure if it was a stand-alone nov­el or the launch of a new series. When I got to the end, it was pret­ty plain­ly the open­ing vol­ume in a mul­ti-vol­ume set. (Don’t get me wrong — the nov­el is com­plete in itself, but the end­ing indi­cates there’s more to come.) Under nor­mal cir­cum­stances, I’d have felt a twinge of irri­ta­tion at this, but in this case I was relieved. I want more time with these char­ac­ters, and I want to know just how they’re going to deal with an empire in collapse.

The Col­laps­ing Empire, by John Scalzi

One final note: Peer review is impor­tant. Read the nov­el and you’ll see what I mean.


* In a lot of ways, John Scalz­i’s writ­ing reminds me of Joe Halde­man, who is one of my favourite writers.

** A note on pro­logues: Elmore Leonard famous­ly want­ed writ­ers to avoid them, and gen­er­al­ly speak­ing he’s right (IMHO). But any list of “rules” of writ­ing are real­ly guide­lines, and usu­al­ly reflect what works best for the author writ­ing the list of rules. I’ve read a lot of Elmore Leonard’s detec­tive nov­els, and I can’t recall ever run­ning into a pro­logue there.

I don’t skip pro­logues when I read, but I do notice when they real­ly don’t con­nect at all to the sto­ry. When that hap­pens, I agree, it would have been bet­ter to excise the pro­logue entirely.

The Col­laps­ing Empire’s pro­logue was fun enough — and con­nect­ed enough to the over­all sto­ry — that I read it twice.