Hey look, my name’s in the newspaper again:
Creative writing program another way for library to reach out to community (Westman Journal)
Part-time prevaricator
Hey look, my name’s in the newspaper again:
Creative writing program another way for library to reach out to community (Westman Journal)
Read Time to Fix Canada’s Copyright Mistake on Medium.
It’s a tricky topic, and I’m by no means expert in it, though I like to think I’m a decently-well-read enthusiast. I’ve actually had my stuff “appropriated” for educational purposes (one day I’ll have to write a longer post about it, but for now here’s the Coles Notes version, sans the angst and irritation I felt at the time).
My day job, which supports my writing habit, is at a university, and so I know the appeal of not paying for things, since budgets are traditionally tight, even under the most small‑l liberal of governments.
Canada does indeed need to address its copyright issues.
Opening line for a new 850-word flash fiction piece:
Alice, staring up at the rippling green sky, said, “Make a wish.”
Things I love about riding my bike this time of year:
Things I could do without:
For a scene in my current work in progress, I wanted to know what the proper term is for the skullcap worn by bishops in the Catholic Church. So I Googled archbishop skullcap, as you do.
The word is zucchetto. It comes from the Italian for … Pumpkin. (Because, apparently, the little caps—worn to keep the bishops’ heads warm—reminded people of pumpkins cut in half.)
I ended up going with “archbishop’s skullcap” in the manuscript.

I went today to the Prairie Comics Festival. Reconnected with some writer friends (Chadwick, Sam, and Jamie), made some new connections (hi, Donovan), and regretted not bringing along my business cards (at least three people asked about WordPress stuff).
But I picked up a bunch of local art, so at least there’s that.
I look forward to a lot of reading.

The page bills itself as The Best Story Idea Generator You’ll Ever Find, and when it dispenses gems like this:
Have your character attend a themed costume party where they can’t find the person that invited them, they know nobody else, and the people they meet are alternately hostile and friendly. What is the strange theme of the costumes, and does your character stay or run after a disaster happens?
…it’s hard to call that an exaggeration.
Header image courtesy Unsplash.
I could see them already while I was still in the city. By the time I got to my nice, dark spot, this is what I could photograph:
They stretched from the northeast to the southwest. They were bright enough for a while that I could watch them dancing with the naked eye. The last time I remember seeing them this bright, I was a teenager in Ste. Rose, lying on the grass, looking up.
Also: a video version:
An hour of my evening well-spent, I’d say.
Today I learned that this
is a cover of this
(Did you know that?)

Cross-posted on Goodreads, sans footnotes.
Every time I read a John Scalzi novel, I’m reminded what a good writer he is.* This one’s no exception. He handles the big picture and the small, personal details with equal deftness.
After I finished the epilogue, I jumped back to the prologue. With the knowledge of everything else that happens in the book, it was fun to see how this little piece of the story — largely unconnected to the events in the remainder of the novel, featuring characters we wouldn’t see again — still added to the whole.**
When I started reading the book, I wasn’t sure if it was a stand-alone novel or the launch of a new series. When I got to the end, it was pretty plainly the opening volume in a multi-volume set. (Don’t get me wrong — the novel is complete in itself, but the ending indicates there’s more to come.) Under normal circumstances, I’d have felt a twinge of irritation at this, but in this case I was relieved. I want more time with these characters, and I want to know just how they’re going to deal with an empire in collapse.
The Collapsing Empire, by John Scalzi
One final note: Peer review is important. Read the novel and you’ll see what I mean.
* In a lot of ways, John Scalzi’s writing reminds me of Joe Haldeman, who is one of my favourite writers.
** A note on prologues: Elmore Leonard famously wanted writers to avoid them, and generally speaking he’s right (IMHO). But any list of “rules” of writing are really guidelines, and usually reflect what works best for the author writing the list of rules. I’ve read a lot of Elmore Leonard’s detective novels, and I can’t recall ever running into a prologue there.
I don’t skip prologues when I read, but I do notice when they really don’t connect at all to the story. When that happens, I agree, it would have been better to excise the prologue entirely.
The Collapsing Empire’s prologue was fun enough — and connected enough to the overall story — that I read it twice.