Some deliciously funny writerly meta-snark from John Scalzi’s The Consuming Fire.
Well, I thought it was funny.
Part-time prevaricator
Some deliciously funny writerly meta-snark from John Scalzi’s The Consuming Fire.
Well, I thought it was funny.

In the photo above, I caught what I think was a C‑130 Hercules turning. I think the military might have been doing some flight training.
I caught a few meteors on camera tonight. It was mild in town, but the wind out in the country made it very cold.
I think I might have seen more meteors than I photographed, actually. They were all over the sky. And even the brightest two, in the photos below, barely show up.
I guess I’ve got some more learning to do about shooting meteor showers.
Last weekend I watched The Old Man and the Gun at the Evans Theatre. I loved it.
Forrest Tucker (played by Robert Redford) robs banks. We meet him as he’s robbing the latest one. He’s polite, he’s charming, he’s got a gun that he shows the manager (but that we don’t actually see till much later). He makes his getaway, and after he’s switched cars he spies a truck broken down on the side of the road. It’s driven by Jewel (Sissy Spacek), whom he offers a ride home (after the cop cars go screaming by, hunting a getaway car he’s no longer driving).
Forrest is in a gang with Teddy (Danny Glover) and Waller (Tom Waits). The media dubs them the Over-the-Hill Gang. They don’t seem to need to rob banks, not for the money, at least; they seem to enjoy it.
(Aside: Teddy’s tragicomic Christmas story was my favourite scene in the movie. It’s got nothing to do with the story, but it says something about his character.)
Rounding out the story is the police officer John Hunt (Casey Affleck), who is determined he’s going to be the one to nail the Over-the-Hill Gang. Will he succeed? Will our plucky anti-heroes get away with their next heist? Will Forrest and Jewel’s meet-cute turn into something deeper? Watch the movie to find out. It’s worth it.
Few things in this movie are stated outright. What appears at first glance to be an old-timey hearing aid is more likely a police-radio scanner, and this revelation makes it easier to understand how Tucker manages his getaway in the opening scenes. As mentioned, we don’t actually see his gun for quite some time, and it’s unclear by the end of the film if he’s ever even loaded it, much less fired it. One of the centrepiece heists isn’t even shown on-screen; we see a bit of the planning, a lot of hand-wringing by the Over-the-Hillers (“Can we even do it? Is it worth trying? I can’t run near as fast as I used to”, etc), and then a news report about the crime as Tucker puts the loot into its hiding place.
It’s a fun movie, a funny movie, and a sneaky, sly movie. I loved it.
I read recently that Robert Redford decided to retire after making The Old Man and the Gun because he wanted to go out on a fun movie. I think he did a fine job.
This past Sunday I had to run a couple errands. As I left the house, I noticed there was a police car parked facing the wrong way on the street in front of the house a couple doors down.
When I returned there were about four police cars. I went up the back alley, planning to loop around and park in front of my house. But there was police tape strung across the back lane, and another police vehicle blocking the way. I backed out and parked further up my block. I made a mental note to check the police website later, to see if there were any details in the daily media release as to just what was going on.
Well, there were:
On Sunday morning at approximately 07:52am, Police were requested to attend to a residence in [my block] for a female who had been stabbed multiple times in the arms, legs and mid-section. Police learned several items including the victim’s vehicle were stolen at the same time. Police believed two male suspects were involved [note: turned out it was a single suspect] and may be armed with firearm. […] At approximately 6:10pm, the suspect was observed leaving the residence on [another street]. Police conducted a high risk vehicle stop and the suspect was arrested.
—Police media release
So yeah. Wow.
Photo by Tammy Gann on Unsplash. Not representative of the police cars around town.
You go up, you go down.
I saw this stairway on Twitter, and thought it looked, well, amazing. It made me nostalgic for the stairs in my childhood home, to wit:

Dad made the risers. They’re varnished wood, crazy slippery in sock feet, shaped like the end of a canoe paddle. The central column, if I recall correctly, was welded by a close family friend, Gilles.
Man, I loved those stairs. They were the best.
Today I learned that…
Dennis Lee, Canadian poet, author of childhood favourite “Alligator Pie”, was also the co-founder of the venerable Canadian press House of Anansi Press (which, even though I’m ill-versed in CanLit, I’d heard of).
And he wrote the lyrics to the theme song for Fraggle Rock.
And he co-wrote the story for the movie Labyrinth.
When I left the house last night, it was mostly clear. I stopped and got a coffee, and by the time I made it to my destination— a gravel road a couple miles north of the Rapid City turn-off—the half-moon was still bright, but a thin haze of cloud had started to move in.
Continue reading “Star trails, through the haze”
A friend of mine, Steve Groves, was a talented writer and an amazing cartoonist. I think he had a hard time believing it, though.
For a while he drew a weekly strip for a local newspaper, called The Grove, that featured humans and animals in a small town. The main character had moved home from the big city and would often question just why. The humour veered between gentle and biting, as all the best satire does.
A sample cartoon is at the top of this post. I often told Steve that The Grove reminded me, in tone and in execution, of Bloom County. He’d always mumble something in an embarrassed voice about how it “can’t be that good”, but it was.
(He would sometimes tell me that he found my success in writing inspiring, and I’d mumble something in an embarrassed voice, because I know how much rejection I’ve collected, how much further I feel I have to go. So I guess that particular knife cuts both ways.)
Steve died last year after a battle with cancer. A mutual friend, one T. Keith Edmunds, set about on a project to gather some of Steve’s work into a memorial collection. Mine arrived on Thursday, and it’s gorgeous. 96 pages of cartoons, drawings, sketches, and notes for projects that run the gamut from “kid’s book” to “nightmarish monster hunter”.
Thanks, Keith. And of course, thanks, Steve.
Unfinished Stories: The Art of Stephen Groves is available for purchase, as are select prints of Steve’s work.

On my walk to work this afternoon, I was struck by how much receding ice on concrete resembles a topographic map of an archipelago.
Sidewalk at the WMCA.
I call this one “I didn’t mean to set it to 6s, f/32, ISO1600, but look how it turned out”.
Edited in GIMP: basically, stacked the same layer about 5 deep, with all but the bottom-most set to “Multiply”.