Plans

So I’m work­ing on a sto­ry, called Earth Fleet (ten­ta­tive­ly), and I want to make sure that I do a page* a day.  I have about 40 pages so far, and I want to set up a sec­tion on my site where I can upload the pages as they’re writ­ten. Which means I can either (a) find a tool that’ll let me restrict access to the pages, or (b) build one myself. I’m lean­ing towards (b); I don’t think it’ll be too dif­fi­cult, and it’s a lit­tle spe­cial­ized to expect to find some­thing pre-built in the OSS** sites on the Internet.

Basi­cal­ly this is a “com­ing soon” announce­ment. Once Earth Fleet is done, I hope to add oth­er projects.
____________

* A page being defined as one page of 12-point Couri­er type, sin­gle-spaced (I’ll blow it out to dou­ble-spaced before print­ing it for sub­mis­sion, when the nov­el­’s done and done), with one-inch mar­gins all round, or in oth­er words, about 400–450 words.

** Open-Source Software.

Ramblin’ man

Well, the Evans starts up again soon, so my week­ends are get­ting crowd­ed again. We had cof­fee with a bunch of the Evans crew tonight, after sup­per (home-made lasagna–mm mm good).

It’s a lit­tle weird. In the sum­mer, when the Evans does­n’t run, I rent movies every week or so, but when the Evans is on, I usu­al­ly don’t both­er. Maybe it’s not so weird, giv­en that I vol­un­teer at the Evans, which means my movies are free…

How many more times will I type Evans before I put this one to bed? About that many, I guess.

G’night. I’m tired and maybe a lit­tle stupid.


O wait, one more thing. I had an epiphany tonight, a moment where things in one of my projects sud­den­ly rotat­ed, and a piece I did­n’t even know was miss­ing slid into place, and the whole thing, for a moment, shone like sil­ver. Tomor­row, I’ll start out­lin­ing; I think I have enough to at least start. I have an end­ing (which is usu­al­ly a mov­ing tar­get, but I’ve learned that with­out an end­ing, even a ten­ta­tive one, I should­n’t write the begin­ning), and now I think I have a coher­ent theme. And of course I have a title: Every­thing that Nev­er Hap­pened.

Et main­tenant, bon­soir, mes amis et mes amies.

Done-diddly-un

I “won” Nano!

I’ve got good ol’ Rob in the CD play­er right now, and here’s the lyrics that were play­ing as my Win­ner icon came up:

knock it nice
and smooth
step back and
watch it flow yeah

nev­er gonna stop me
nev­er gonna stop
nev­er gonna stop me
nev­er gonna stop

scream if you want it
’cause I want more

—Rob Zom­bie, “Nev­er Gonna Stop (The Red Red Kroovy)”

And I did­n’t even have to put in a “Screw Flan­ders”, as per my Simp­sons-addict­ed bud­dy, the B‑man.

Now that I’ve crossed the 50,000-word mark (!), I guess I’d bet­ter fin­ish the sto­ry itself. I’m prob­a­bly 1,000 to 2,000 words from the ending.

It’s called Salyx, if you wants to read it.

More Nano text

47,700 words now. In the home stretch, word-count-wise. Sto­ry-wise, too, I think.

du-Razh was a pale cir­cle, swelling even as he watched. Igraine was snooz­ing in her chair. Part of him won­dered if she want­ed to be wak­ened for this pass; the rest did­n’t care. Let her sleep.

The dis­play shift­ed a lit­tle, auto­mat­ic cor­rec­tions to their tra­jec­to­ry. He’d puz­zled out enough of the drift­ed Englisch to be able to toy with cer­tain aspects of the dis­play. du-Razh’s moons were labeled now, all of them tagged with numer­ic iden­ti­fiers; the Earth ship did­n’t have the names built into its data­base. They’d passed by IX‑4 and VIII‑4 already, and VII‑4, known local­ly as Shi­va, largest of du-Razh’s satel­lites, was approach­ing. They would pass below its tilt­ed orbit, no clos­er than one hun­dred thou­sand kilo­me­ters to the moon at any point.

And now the gas giant was near enough to make out the bands of atmos­phere, the murky swirls of hydro­gen and methane, nitro­gen and oxy­gen. Storms larg­er than worlds crawled across its sur­face, some of them old­er than human set­tle­ment in this sys­tem. A thin band of rings orbit­ed its equa­tor, tilt­ed thir­ty degrees to the eclip­tic, made up, it was the­o­rized, of a shat­tered moon, or per­haps a comet that had long ago strayed too near the giant world’s grav­i­ty well.

A world three-quar­ters the size of Jupiter, in the Home Sys­tem. A world whose grav­i­ty could tear apart less­er worlds.

They dove toward it, the lit­tle navette mak­ing cor­rec­tions as they fell.

Shi­va fell behind them, and then scarred, stony ViÅ¡nu, Lax­mi with its sul­fur-diox­ide vol­ca­noes. They crossed the orbit of ret­ro­grade Prana, a lit­tle wisp of cap­tured comet, and still they fell, still du-Razh swelled.

The bands swirled, yel­low and brown, ochre and tan. The world was huge now in the dis­play, tak­ing up near­ly half the land­scape the dis­play had to offer. A minor course cor­rec­tion swung the gas giant to the left, a lit­tle bit.

He was struck with won­der and awe. Nev­er had he seen images like this. Even in text­books, the pho­tos of du-Razh and Perse­phone were grainy blowups of images from ground-based tele­scopes. There was­n’t a lot of mon­ey for an explo­ration pro­gram; they’d become a large­ly ground-based soci­ety, the cities on King Moon notwithstanding.

And now it was spread across three-quar­ters of the dis­play, the whorls of its storms sharp and clear, the black­ness behind it absolute. It was bright enough to blot out the stars.

Anoth­er cor­rec­tion, and anoth­er. II‑4 swept behind them, named Brah­min by the local stan­dards. The last moon, Naras­in­ha, anoth­er cap­tured comet, orbit­ed pole-to-pole, once every ten hours.

[…]

So close now that the dis­play was filled with a roil­ing yel­low-brown plain, the limb at the edge of the world almost a straight line, and every sec­ond there was a minute cor­rec­tion. The stacked dis­plays showed count­down timers, hull-stress indi­ca­tors, mon­i­tors on elec­tri­cal per­mit­tiv­i­ty and gaseous heat­ing, none of which meant a damn thing to Yak­oub. He watched, eyes wide, as the world grew larg­er and larg­er still.

[…]

And around, accel­er­at­ing, steal­ing momen­tum from the vast world. It swelled so large that for a moment all there was on the dis­play was a slab of yel­low cloud, and Yak­oub could see fine detail with­in it, minute vari­a­tions in col­or and shade that were invis­i­ble in his text­books. Igraine turned on the snif­fer, and the navette was filled with the hiss and pop of du-Razh’s elec­tri­cal fields. A bright strike of light­ning arced between two clouds, a tril­lion volts bridg­ing a gap two hun­dred kilo­me­ters wide, and the snif­fer howled and keened with the inter­fer­ence. It went on and on, the light­ning last­ing for almost twen­ty sec­onds, con­tin­u­ous and sustained.

And then they were around, reced­ing, and the sun set on the limb of du-Razh, leav­ing the flick­ers of light­ning as the only light in a plain, a disc, a dot, a tiny spot of dark­ness, receding…

Writing

So I haven’t been post­ing here much late­ly. Nano has kind of tak­en over.

Here’s a sam­ple, if you’re interested:

In the slice of time between heart­beats, civ­i­liza­tions were born, flour­ished, grew cor­rupt, col­lapsed into war­ring nation-states. Con­ti­nents crawled across oceans, met, rose heav­en­ward in himalayan mountain-building.

He could see the slug, could see the eye-sear­ing bril­liance of the expand­ing gas­es. Sir Edouard was com­ing to his feet, mov­ing slow, as slow as if he were embed­ded in hon­ey. Tiny sun­lets of flame and smoke puffed from the anti-recoil holes along the pis­tol’s bar­rel, swelling in excru­ci­at­ing slow motion.

He was embed­ded in a block of plas­tic, unable to draw a breath. Noth­ing would move for him. He want­ed to scream but he might as well not have had a mouth.

Sir Edouard had unfold­ed him­self from his seiza posi­tion. He was almost to his feet. His eyes were flat mir­rors, reflect­ing the flame of his pis­tol’s muz­zle. His mouth was set in a nar­row, lip­less line. His halo of snow had burst from him like a star­burst, a white cloud envelop­ing his head. It might have been com­i­cal but for the expres­sion on his face.

As Yak­oub watched, his paral­y­sis com­plete, the knight took a step, impos­si­bly slow, then anoth­er and anoth­er. Slow­ly, inex­orably, he closed the gap between them.

The snowflakes remained where they were as he approached, slow as a glac­i­er. One step, and anoth­er, and anoth­er. He stopped, heels togeth­er, two paces away from Yak­oub, and reached up with an arm.

With the speed of a con­ti­nent, he plucked the slug from the air. A chill smile spread across his face. His eyes glit­tered with reflect­ed flame.

Want more? Here’s the whole thing: Salyx. 38,000 words so far, by the word counter in OpenOffice.org 2.0.

How’s your November?

All right, here’s the scoop

Doug has con­vinced me to try Nano* again this year. I’m start­ing three and a half days late, but that’s ok, because I’m not sure I’m shoot­ing for 50k this year. The sto­ry I’ll be work­ing on—“Salyx”—has a novel­la feel to it, so I will be hap­py if I hit 20k words. Still. If I can make 50k, I won’t com­plain. We’ll see how it develops.

Any­ways. Start­ing… now, don’t expect much blog­ging out of me. Just so’s you know.


And the judo tour­na­ment pic­tures are here. Enjoy!

Can’t blog. Writing.

I’ve decid­ed to enter a non-fic­tion con­test, and I have to have the sto­ry in the mail by Nov. 1st, so I’m kind of up against a dead­line. The theme of the con­test is “A Mem­o­rable Voy­age”; my entry, in about its sec­ond draft, is here. You’ll need a pass­word, too: it’s win­nipego­sis. Read it, if you’d like; let me know what you think. (It’s short, only about 1100 words.)


I fin­ished Last Light of the Sun last night. It was enjoy­able, well-researched, and some­thing that I don’t nor­mal­ly read. As a fan­ta­sy it was very low-key; as a his­tor­i­cal nov­el it was heav­i­ly fic­tion­al­ized; as an out-and-out sto­ry that hap­pened to be set 1,000 years ago, it was excel­lent. Gabriele, I seem to remem­ber that you were read­ing it. Do you have any com­ments on it? Did you fin­ish? Did you enjoy it?Later, y’all!

Because this is the kind of thing blogging is meant for…

…stum­bled across not one but two reviews of my short sto­ry “Res­ur­rec­tion Radio”.

The first:
“ ‘Res­ur­rec­tion Radio’ from Patrick Johan­neson is anoth­er qual­i­ty piece. Thought-pro­vok­ing and orig­i­nal, it’s a fresh look at spir­i­tu­al­i­ty from a very down to earth posi­tion, writ­ten with real empa­thy. Its end­ing is par­tic­u­lar­ly intel­li­gent, the sort of thing to send you back to the begin­ning hunt­ing for clues. Sud­den­ly, it’s star­ing you in the face, but you’d nev­er sus­pect. Fore­shad­ow­ing at its best.”
—Mar­tin Jen­ner, in SF Crowsnest

And the sec­ond:
“Patrick [Johanneson]‘s Res­ur­rec­tion Radio is a chiller blend­ed with the nar­ra­tive trick­ery of some­one like Bret Eas­t­on Ellis or Chuck Palah­nuik, less med­i­ta­tive than some of the oth­er sto­ries in the issue but bril­liant for all that, stir­ring a road-trip and psy­chopomps, hitch­hik­ers and pey­ote into a deft, mes­meris­ing whole.”
—Nel­son Stan­ley, in the British Fan­ta­sy Soci­ety’s web­site

I’ve been stoked all day because of these two reviews…