Writing retreat, 2016 edition

For the last week of July, I left my home and invad­ed our friends’ cab­in at Minnedosa. My goals were to get 10,000 new words writ­ten in Trans­la­tions, along with a week­end’s worth of a flash fic­tion sto­ry for a con­test, and try my hand at pho­tograph­ing the Milky Way. 

Great suc­cess. 

I man­aged to get the flash sto­ry done in the time allot­ted, and reviews in the forum are very pos­i­tive. One day I plan to try to sell it. 

I also man­aged to a aver­age about 2,000 words a day from Mon­day to Fri­day, usu­al­ly in two shifts of 1,000 words each. I wrote pret­ty much entire­ly on the deck. It was glorious. 

I did­n’t get the Milky Way. But I got this…

Aurora at Minnedosa
…so let’s call it even. 

Also, I indulged in some lake kayak­ing, swim­ming, and read The Bone Clocks by David Mitchell, which I expect I’ll review lat­er, once I’ve digest­ed it a bit more. 

Good times. Same time next year, I hope.

Meet ‘n’ greet with Angela Misri

Toron­to author Angela Mis­ri came to town on the TD Book Tour. She writes Sher­lock Holmes pas­tich­es, star­ring young detec­tive Por­tia Adams.

I was invit­ed by fel­low Bran­don author Craig Rus­sell to a meet ‘n’ greet with Angela, and so, with about ten oth­er local authors and artists, I heard about grow­ing up a writer in a fam­i­ly that expect­ed you to become a doc­tor or an engi­neer. (“Here is the plan. You will become a doc­tor, and you will write med­ical textbooks.”)

Some of the wis­dom I picked up:

  • For every rejec­tion let­ter, send out two new queries. Turn a neg­a­tive into a positive.
  • Get an agent.
  • Do your research.
  • Bet­ter still, have oth­er peo­ple do your research.

She has a very good tech­nique for get­ting peo­ple to help with her research: If a fan informs her that she’s let an error slip through (e.g., “Por­tia would­n’t wear trousers in the 1930s”), she’ll send that fan advance copies of the next nov­el, and ask that they tell her where she may have gone wrong. As she says, these peo­ple are the ones you want to keep happy.

Also, I now have a signed first edi­tion of Jew­el of the Thames, first of the Por­tia Adams mysteries.

Here in Cana­da, the Por­tia Adams nov­els are mar­ket­ed as Young Adult fic­tion, but in the USA they are appar­ent­ly on the grown-up shelves. I found this to be an echo of advice I received years ago from anoth­er Man­i­to­ba author/editor, Ani­ta Daher: “Write your sto­ry. Let the mar­ket­ing peo­ple wor­ry about where to shelve it.”

Goal Setting — May 2016

Things I want to do this month:

  • at least 5,000 words in the Mar­t­ian story
  • find a suit­able title for the Mar­t­ian story
  • sub­mit “Me and the Bee” to more mar­kets (as needed)
  • update theme on this here website
  • pre­pare the IWL plu­g­in for sub­mis­sion to the WP repository

Word-o-Mat

I just sent back the con­tract, “signed” elec­tron­i­cal­ly, so I guess I can say this now:

Six of my very short sto­ries (ones writ­ten ini­tial­ly on the now-defunct Ficlets.com) are going to be pub­lished in the inau­gur­al issue of Word-o-Mat. They’ll be print­ed on pages small enough to fit in a cig­a­rette box, and sold from a repur­posed vend­ing machine in Malmö, Swe­den. (Also you’ll be able to buy copies online.)

The sto­ries they’ll be pub­lish­ing are:

  1. The Wait
  2. Eat­ing Every­thing There Ever Was
  3. The Inver­sion
  4. The Trick
  5. Danc­ing
  6. The End of All Things

Check them out. They’re a fledg­ling mar­ket with an intrigu­ing gimmick.

Update: My copy of Vol­ume 1 has arrived.

Robert J. Sawyer reading

Tonight I went to Win­nipeg to the book launch for Robert J. Sawyer’s lat­est nov­el, Quan­tum Night. The read­ing was great, and the Q&A ses­sion after­wards with Stru­an Sin­clair was great. Eye-open­ing and packed with lit­tle tid­bits about the craft and the art of writ­ing, tid­bits that I’ll be mulling over for a while yet. Once I’ve had some time to process things—and sleep—I’ll return with a longer post.

For now, enjoy this pho­to of the author at work.

IMG_6863

More jetpack envy?

From Daniel Han­dler’s review of Patrick deWit­t’s lat­est nov­el, Under­ma­jor­do­mo Minor, which I am cur­rent­ly read­ing and enjoying:

It is said, for instance, that Mar­garet Atwood does a take on sci­ence fic­tion and there­fore is a lit­er­ary writer instead of a sci­ence fic­tion writer, and then we won­der why there are so few sci­ence fic­tion writ­ers who write as well as Mar­garet Atwood, while the sci­ence fic­tion writ­ers glare at us and order anoth­er round. This is bad. “The Handmaid’s Tale” is sci­ence fic­tion and should not be dis­qual­i­fied as such on the grounds that it has good sen­tences and makes you think, as does the work of Patrick deWitt. There­fore, “Under­ma­jor­do­mo Minor” is a ter­rif­ic piece of genre writ­ing, and that’s that.

I’m a lit­tle irritated—perhaps unjust­ly so—at the sug­ges­tion that sci­ence fic­tion (and oth­er gen­res) can nev­er con­tain “good sen­tences” or “[make] you think”. I just can’t quite decide if Han­dler shares my irri­ta­tion; I’d like to think that he does. In either case, I’d point those that may hold that opin­ion at works like Michael Swan­wick­’s Sta­tions of the Tide or Gene Wolfe’s The Book of the New Sun, to name two examples.

PS: If you haven’t read any­thing by deWitt, I high­ly rec­om­mend The Sis­ters Broth­ers and (even though I’m not yet done read­ing it) Under­ma­jor­do­mo Minor.