Starbuck

If you have the chance, check out the movie Starbuck.  I just got home from showing it at the Evans Theatre, and I must say, I really enjoyed it.  It’s funny, it’s touching, and it shows — yet again — that Canada can make great movies.

It’s the story of David, a forty-something who I would describe as a lovable loser.  He’s drifting through life, working at a butcher shop, playing soccer, getting into debt.  He discovers that, due to some shenanigans at the sperm bank where he used to donate, he’s the father of 500+ children.  Over a hundred of those kids — now in their late teens/early twenties — have banded together in a class-action lawsuit to find out the identity of their real father, known to them only as his sperm-bank codename:  Starbuck.

What comes next?  You’ll have to check out the movie to find out. Trust me. It’s worth it.

The Evans Theatre

Part of the “webmonkey” side of my profile:  I’ve been monkeying with the Evans Theatre’s website, trying to make it look purty and be useful. I’d like to think I’m close.

Have a look:  Evans Theatre’s new site

<nerd>It’s a hand-coded WordPress theme using responsive design concepts.  Check it out at various browser widths — the images should (mostly) scale nicely.  If you’ve got an iPhone or some other pocket browser, I’d love to hear comments.</nerd>

So?  Is it purty, or what?

Movie review: Moon

About an hour ago, the credits rolled on Moon. I went into the film knowing very little: the only trailer I’d seen featured Sam Rockwell looking disheveled, and had Kevin Spacey as a HAL-style AI that communicated via a combination of even, soothing tones, and smiley faces.

I won’t post any spoilers here, but suffice to say that I quite liked the film. It had echoes of 2001: a space odyssey, Blade Runner, Gattaca, and Alien. All of those films are included in what I consider the canon of excellent science fiction, which should tell you something about how thoroughly I enjoyed Moon.

Sam Rockwell plays Sam Bell, coming into the tail end of his three-year solo stint as the human overseer at a mining station on the moon’s far side. He keeps tabs on the unmanned rovers that comb the surface of the moon for He3, the fuel of the future.

Three years is a long time to be alone, and Sam’s looking forward to heading home to his loving wife and young daughter. He’s due — perhaps overdue — for a furlough. He might be going just a little teeny bit crazy. At the very least, he’s started to see things, people, that aren’t really there…

The movie explores loneliness, illness, loss and sorrow, anger, and evil. But everything’s done with a light touch. Some things are only hinted at, leaving the audience to fill in the gaps, trusting that the audience members are smart enough. Even the ending is sneaky: you have only a couple seconds’ knowledge that the dénouement has come, and then the credits are already rolling.

Moon is a refreshing SF film, one that encourages you to use your brain, to think around the corners. It requires that you watch the film with your mind in gear, instead of in neutral. It’s a refreshing change.

Moon
…on IMDB
…on Rotten Tomatoes
…where I saw it

Next time (probably): » Kata at the shore

The movie deal (now with picture!)

Contract

So a friend of mine took a degree in film, and has made some short films. The other day he said, “Hey, I’d love to do a short film based on Resurrection Radio. How much would you want for film rights?”

I said, “Let me think on it.”

Today I gave him a figure, and he agreed.

And yes, he’s got a deal with Stephen King, and yes, I’m making more than King — by a considerable margin — but no, it’s not going to pay off the mortgage.

(Hint: The deal he’s got with King is on a dollar baby story.)

The last few days

On Thursday we went to the Corb Lund concert at the Westman, and it was fantastic. The opening acts were quirky and alt-country, so they meshed well with Lund and his band. The headliners played a lot of my favourites, which made me happy. All in all, there was near enough not to matter to three hours of live music. We sat 7th-row, stage right, which were fine seats.

Friday we got invited out to a “black tie” martini party at Lady of the Lake. I got gussied up in a suit, K put on her new Little Black Dress, and we ventured forth with X and X (no, I’m not kidding, I know two people whose initials are X, and they were both in the back seat of my car on Friday night). Live music by Poor Boy Roger, a local blues/swing band, dancing, martinis of all descriptions (including one with a chocolate-covered espresso bean at the bottom like a prize), and delicious appetizers. It was a hoot.

Saturday we ran into The City so I could take part in the U of M’s weekend judo class. An hour of warmup left me sweating profusely — I thought I was going to die during the handball game — and then I was shown the first two sets of ju-no-kata, along with some help finding the kata’s narrative, which helps. I also had one of the senseis drop a pearl of wisdom in my ear that I’ve been turning over in my mind ever since: “All throws in judo come from sumi-otoshi or uki-otoshi.”

Sunday: off to MacG for family fun times with T, A, and their new boy B. Having a cold, I felt it was unwise to hold the baby, so K ended up with my turn. Not that she complained one whit.

Tonight: Watched a cow-orker’s copy of The Fall, which was a fantastic movie, in all senses of the word. It was visually stunning, well-shot, it captivated my attention, and it provided an interesting look at the process of creating a story. It was also a moving drama, and brimful of fine actors in fine roles.

And then, tonight as well, I submitted two more stories to magazines: “After the Missile Rain”, a <1k “flash” piece, to Flash Fiction Online, and “Neither Bang nor Whimper”, 2700 words that I wrote in under 24 hours for a contest, to Fantasy Magazine. Wish me luck!

And with that: good night.

Indy

I went and saw the new Indy Jones picture-show* tonight, and…

…well…

…it wasn’t the film I was hoping for, but I suppose it was the film I was expecting.

Too many knowing nods to the audience; too many hat-related gags, like they’re trying to work an entire trilogy’s worth into one script; too much of Shia Leboeuf**—who may be a fine actor in his own right, I have no idea, but he’s not up to par with Harrison “Henry Jones Jr.” Ford; and an over-the-top climax that made me feel like they were trying to out-everything everything.

It almost felt like they made the movie, watched it, and said, “Needs more… something.” So they crammed it right full of in-jokes, winks, and armies of CG monkeys, ants, and gophers, when what it needed was more, let’s see, coherence.

Indiana Jones and the Kingdom of the Crystal Skull: It’s like Raiders of the Lost Ark, with more cowbell.

____

* You know. The talky.
** I’m sure I spelled that wrong, but I’m not inclined to look it up.

Nage-no-kata

…or “What I had to do for a silver medal”.

I’m the one being thrown.

Enjoy!

The throws are, in order:

Uki-otoshi (“floating drop”)
Seoi-nage (“shoulder throw”)
Kata-guruma (“shoulder wheel”)*

Uki-goshi (“floating hip throw”)
Harai-goshi (“sweeping hip throw”)
Tsurikomi-goshi (“lifting-pulling hip throw”)

Okuri-ashi-harai (“sideways foot sweep”)
Sasae-tsurikomi-ashi (“blocking lifting-pulling foot throw”)
Uchi-mata (“inner thigh throw”)

Each one is performed right-handed and left-handed.

__________

* Which impresses everyone, but really isn’t that bad of a landing, if you know what you’re doing.