Touring the Nonsuch

Nonsuch from starboard stern

My current WiP, Everything that Never Happened, is set mainly aboard a small 17th-century sailing vessel, a square-rigged ketch named the Mandalay. It’s not a coincidence that it’s a square-rigged ketch, just like the historical Nonsuch; ever since the first time I visited the Nonsuch gallery in the Manitoba Museum, I’ve been fascinated by the ship. I’m not a nautical type; I’ve spent my entire life on the prairies, and have seen ocean a total of three times. But something about the ship has always stuck in my mind, and I find myself constantly returning to it.

Maybe it’s just the name. I’m a sucker for a good name.

Tiller

Anyways, sometime in February it occurred to me that, to really understand the Mandalay and her crew, I might be wise to learn more about the Nonsuch. I sent an email to someone at the Manitoba Museum, asking for any information they could give me, and also asking about tours. I received some information in the mail, a recommendation that I check out a book by Laird Rankin, who’s something of an expert on the Nonsuch, and an offer of a tour. To trim a long story to a short one, I went on a tour of the ship on Monday. Since the museum was closed, it was a quite private tour.

I spent three hours on and around the ship, asking questions of Robert, the museum’s resident Nonsuch expert. I learned a lot, and I took a lot of pictures. Some aspects of my story are greatly clarified for me now. Some of the things Robert told me will find their way quite directly into the novel.

And now I’ll get back to writing it…

All my Nonsuch photos

Update

Well, I got my problem figured out. I had to blow away my browser preferences and start fresh, but it works now. (If I’d had time and inclination, I probably could’ve used a less apocalyptic method, but, well, meh.)

Also: Last night I outlined about three-quarters of the middle act (which is where my long projects usually start to sag), and finished up the second chapter, too. More writing, if not tonight, then tomorrow for sure. Plus I got some more of the site for this serial-story project spruced up.

Stay tuned, and keep warm!

Ping

You know how sometimes, you can look at a problem from 800 different angles, and it just won’t go away? And you just know there’s a simple solution; the problem is just picking the correct simple solution from the infinity of incorrect ones.

And you know how sometimes, it’ll filter in your mind, and suddenly you’ll have this epiphany, this flash of insight, and you know the answer? And it turns out you’re right?

I’m halfway there. I haven’t had the epiphany yet, but I’ve got One of Those Problems. Nothing life-threatening; just something that’s intellectually aggravating. And Tech Support is involved, too.

#

Did some writing tonight, too. At least that went well. I have some research to do. Things I would like to know include:

  • Burial customs in the 17th Century (Boston? New York?)
  • 17th-C slang
    • Things of that ilk.

      G’night!

Writing project

My New Year’s resolution, writing-wise, probably won’t show up here until about March, but rest assured I’ll be working on it starting tonight. I hope to start a serial story, posting “chapters” about a thousand words long, twice a week. The story (at least so far) will be one that I’ve had fermenting in my mind for over a year and a half now, called Everything that Never Happened, and it features a zombie lawyer, a seafaring captain, a man named Fauntleroy, a jungle kingdom, an undead vizier, a treasure map, and a threat to every living soul. Intrigued? I know I am. I’m looking forward to writing it. Tonight I did 1100 words, and here’s a few of them:

Doc Hutchin came up from below, his face and hands and shirt bloody. There were men and boys down there that had been running the pumps for hours, maybe days. They’d been working the wooden handles, calluses splitting and weeping, blood serving as oil to lubricate the pumps, and no one really knew how long it had been anymore. The sun’s travels had seemed erratic ever since the cannon had exploded, but Riley was pretty sure that it was just the crisis, punching a hole in his experience of time.

Hutch came over to him, taking slow and careful steps. He never seemed to get his sea legs, ever, but he didn’t often relish going ashore in port either. The men whispered theories about his checkered past, how he had a constable looking for him in every port. One of the boys had once found a WANTED poster nailed to a tavern door which bore a decent likeness of the good doctor’s face.

“Drink?” said Hutch, sitting down next to him.

“No,” he said. “Got to get up. Soon.”

“You’re exhausted,” said the doctor. He pulled a flat-sided brown bottle out of one of his boots. There was a foomp! sound as he pulled the cork out of the neck with his teeth. “Bit o’ rum ‘ll do you some good, I reckon.”

“I don’t–”

“Doctor’s orders,” said Hutch, handing him the bottle.

He swigged down two swallows’ worth, then handed the bottle back. As he wiped his mouth with the back of his hand, Hutchin took a healthy pull, then re-corked the bottle and slid it back down into his boot.

“Help me up,” said Riley. “The men need to see their cap’n.”

“Aye,” said Hutch, and rose to his feet. He put a hand on the bulwark to steady himself, then extended his other hand to Riley. The doctor pulled the captain upright.

Something shrieked from on high, and they both looked up, shading their eyes against the sun. A gull wheeled above them.

“Will we make it, d’you think?” said Hutch. His voice was nonchalant, as if he didn’t care one way or t’other about the answer, but Riley had known him a long time. The doctor was terrified; it was written all over his face, in the worried lines around his eyes, in the hard set of his jaw, clamping his teeth together so tight they ground one against the other.

“It’ll be close,” said Riley.

“Ah,” said the doctor, and bent to retrieve his bottle again. “No sense lettin’ it go to waste,” he said, straightening up. This time, when he pulled the cork out, he spat it overboard.

“True,” said Riley, accepting the bottle when it was offered. The rum burned its way down his throat to his belly, warmth spreading out like slow golden fire. “To Mandalay,” he said, raising the bottle high, then handing it back to its owner.

“To Mandalay,” said Hutch, holding the bottle aloft, then draining it and letting it drop to shatter on the deck. “Long may she sail.”

(Mandalay is the name of the ketch (or, in this particular world, the cortico) on whose deck the action takes place.)

More to come, later. Like I said, probably starting in March, and running till it’s done.